Friday, May 15, 2020

49. The history of Jazz: 5. Swing, ACJ Music Academy


How are you?

Following the last week, I am going to start my 49th lecture.

I had conducted music lectures at Art Collage JANG in Seoul, South Korea every Saturday from March 2015 to December 2017.

I am going to introduce the lecture by the lecture’s order every Saturday.

The 5th theme of “The history of Jazz” I will introduce this week is “Swing”. It is a summary of the contents of “49th ACJ Music Academy, The history of Jazz: 5. Swing”, which was introduced on May 28, 2016In this lecture, I will introduce about the background for moving jazz’s main stage from Chicago to New York, the Swing from a social perspective, and the formation of Big Bands and the representative musicians in Swing.

Jazz, which started in New Orleans and moved to Chicago, again moves its main stage to New YorkThe most critical factor in moving Chicago jazz musicians to New York was the development of broadcasts. At that time, most of the major broadcasting stations were located in New York, and the musicians' fixed appearances in the broadcast program guaranteed their bright future.

Swing was one of the most popular dance music at the time, and especially in the late 1930s, the places where the Swing was played a lot were dance halls. New York's dance halls were places where the capital gathered as well as the people of the middle and the above classes to dance and enjoy entertainment, unlike the Storyville in New Orleans.

Swing Dance

In the early 1930s, the United States was in great economic crisis due to the Great Depression, but because of the President Roosevelt's New Deal policy, its economy began to recover from the mid-1930sIn addition, as the United States participated in the Second World War from the end of the 1930s, they became the world's leading position, and as a result, the economy of the United States became booming.

The first place where jazz stared in New York was Harlem. Originally Harlem was a region developed for wealthy whites. But in the 1900s, the blacks began moving into Harlem, and before 1930, it was completely occupied by the blacks, and then jazz from Chicago naturally settled in the area. Musicians who came from Chicago to New York to get a job at the broadcasting stations began playing around Harlem's clubs.

The most prominent musician of them was Louis Armstrong, one of the musicians who settled on Swing, and in particular, had a profound influence on the popularization of Swing. He established the position of Swing as a dance music and contributed greatly to spreading it to people. 

Louis Armstrong

By the way, in the popularization of the Swing, Big Bands played a big role, and the attempt for the Big Bands was made by ‘Fletcher Henderson’ in the 1920sFletcher Henderson's Big Band greatly matured from the midst to the late 1920s, and the band's activities later became a musical example to other big bands.

Fletcher Henderson

The Big Band means a kind of ‘organization’ or ‘arrangement’ of the band and is composed mainly of piano, various rhythm instruments, and wind instruments. It is common that several performers play solo, and the whole part of the band plays other part, and a leader conducts and directly participates in the music playing. The Swing by Big Band organization was the most popular music in the United States from the mid-1930s to the early 1940s.

Big Band

As the President Roosevelt, who took office in 1933, implemented the New Deal policy, the economy gradually began to recover, and then Swing became popular in public.
The reason why Swing became so popular was that the public, suffering from the Great Depression, wanted pleasant and hopeful music, and that was Swing. Therefore, most of the Swing music at the time consisted of Major Scale of bright feeling or at least showed tendency to start with Major Scale.

In addition to ‘Louis Armstrong’, ‘Benny Goodman’ and ‘Duke Ellington’ are representative musicians of the Swing era. 

Born in 1909 in Chicago, clarinet player Benny Goodman was a musician who has greatly contributed to the development of the Swing. After Fletcher Henderson, Benny Goodman was one of the most popular musicians in the United States throughout the 1930s, and his song “Sing, Sing, Sing” made a huge success.

Benny Goodman

Duke Ellington was a musician who majored in art, and has been evaluated by later scholars as “advancing the world's popular music by at least 20 years." Ellington was very musically talented and led one big band without major changes over 40 years of music career. He succeeded at the front of the music scene, serving as music director at Harlem's "Cotton Club", where only whites could be its guests.

Duke Ellington

You can also review this lecture from following media.


Next week, I will introduce you “Vocal Jazz” as the 6th theme of “The history of Jazz” lectures.

Thank you.


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