Author, Lecturer, Broadcaster & Cultural Arts Expert;
President of Art Collage JANG/J Music/J Art/J Books & Media.
Author of over 40 books published on Amazon, including The Crimson Horror series and The Great and Immortal Painters’ Stories series.
Dedicated to sharing insights into art, culture, literature, and creative expression through writing, lectures, media, and content creation.
I’m excited to announce that my self-produced music
album is now available for purchase on two popular platforms that support
creators and specialize in selling digital products.
The two platforms are:
Ko-fi, a
UK-based platform established in 2012, which allows creators to receive
direct support from fans and sell their works.
Gumroad, a US-based platform launched in 2011, which helps creators easily
sell their digital products and generate income.
The product being sold on both platforms is a world
musicalbum consisting of 14 original tracks. The album title and
track list are as follows:
The
theme of the 14th music broadcast uploaded today is the sweet "Mexican
Bolero" music.
In
this broadcast, I introduced the origin of bolero, the development process of
Mexican bolero, and representative musicians throughout this development
process.
Starting
with this broadcast, I have uploaded the English version and the language
versionof the country being introduced on "PodBean"together.
In
other words, for this broadcast, since the language used in Mexico is Spanish,
I have produced the Spanish broadcastas well, and you can listen to it
from the links below.
The
music show that was broadcast in Korean on "Spoon Radio" until last
week will now be aired in English on the internet radio platform "PodBean"starting this week.
This
week's 12th broadcast features "North American Indian"music
among the world music genres.
In this broadcast, I introduced North American Indian music, including powwow
music,chicken scratch music, and flute music; musicians who
played a leading role in Indian Identity Restoration Movement; music by North
American Indian women; and Indian fusion musicians.
You can listen to my broadcast by clicking the link below.
I uploaded my eleventh
music broadcast on “Spoon Radio.”
The theme of this week's broadcast
is the music of "India,"the birthplace of the ancient Indus
Civilizationand a historical trade route, among world music genres.
In this broadcast, I
introduced an overview of India, the characteristics of Hindustani musicand
Carnatic music, along with their representative instruments, and notable
singers from India.
You can listen to my
broadcast from the link below.
This week's
lecture is “World Music”, the 10th topic of “New Age Music”, which is a summary
of the contents of “83. New Age Music: 10. World Music” introduced on April 15th,
2017.
World music
is a music category that includes many different styles of music from around
the world, including music that more than one cultural tradition intermingles.
Unlike pop and folk music of North America or Britain, this music was
designated by the European and North American music industries under the
generic term "world music", which was popularized in the 1980s as a
marketing categoryfornon-Western traditional music.
The term
"world music" was coined in the early 1960s by Robert E. Brown, an
ethnomusicologist who was a professor at Wesleyan University in the United
States.
Robert E. Brown
Since the
birth of the term world music, its market has grown significantly, and
sub-genres in the form of fusion such as ethnic fusion and worldbeat also have been
created. Good examples of such fusion are the Irish-West African music fusion
of Afro Celt Sound System and the Jazz/Finnish folk fusion of Finnish folk
music band of Värttinä.
Source, Afro Celt Sound System (2016)
6.12, Värttinä (2001)
Good
examples of fusion music in which elements of Western pop are more increased in
certain indigenous music are Paul Simon's album "Graceland", where South
African mbaqanga music can be heard, a collaboration of Peter Gabriel and
Pakistani singers Nusrat Fateh Ali Khan, and a mix of West African vocal forms
and Western contemporary rhythms and harmony by Deep Forest.
Graceland, Paul Simon (1986)
Deep Africa, Deep Forest (2013)
Ethnic
fusion is generally rooted in the sounds and philosophiesof new-age music,
seeking to incorporate traditional ethnic folk music, which is included in
world music, into contemporary electronic music. This music is often aimed at
finding ways to create unity and harmony between Western technology and more
indigenous and nature-oriented cultures.
Good
examples of ethnic fusion are "Face-to-Face" from Nicholas Gunn's
album "Beyond Grand Canyon," featuring authentic Native American flute
music combined with synthesizers, and "Four Worlds" from his album
“The Music of the Grand Canyon”, featuring spoken word from Razor Saltboy of
the Navajo Indian Nation.
The Music of the Grand Canyon, Nicholas Gunn (1995)
Today,
I will end the world music series introduced for about 8 months every Saturday
with “Korean Traditional Music” and start another genre of music from next
Saturday.
Today’s
lecture was the 33rd lecture of ACJ Music Academy which was held on
December 11, 2015.
Korean
traditional music is largely divided into Jeongak and Minsogak.
Jeongak
is the music which were enjoyed by the upper-class literati of the Joseon
society, and Minsogak was the music that the common people enjoyed in their
daily lives.
If we look
at the form of playing Korean traditional music, instrumental music includes
solo,byeongju, ensemble, and vocal
music includes solo and byeongchang.
Jeongak
is a very peaceful music, which is not sensual music that momentarily
stimulates the emotions of the listener. Therefore,
it takes some time and effort to get used to the music.
“Aak” is
a word that is used similarly to Jeongak. Aak was
originally used to refer to music, such as 'Munmyo Jeryeak', which was composed
mainly of Daesung Aak from the Song Dynasty during the Goryeo Dynasty. However,
after the Japanese colonial period, the court music, and Jeongak which were
enjoyed by the upper-class literati, were included in the category of Aak.
In
Jeongak, the Jeryeak was used in the rituals in the court and the Pungryu Music
was enjoyed by the upper-class literati in their lives. Jeongak
also includes Jeongga such as Sijo, Gagok, Gasa, and Gochwiak which was used in
the parades of kings and high positions’ officials.
Minsogak
is the music of the common people. In Minsogak,
there are Pansori, Danga, Seonsori, Jabga and Minyo as vocal music, Sanjo, Shinawi
and Pungmulnori as instrumental music and Beompae and Musok Music as religious
music.
Korean
traditional musical instruments are made of materials from Korea. The materials
used to make the Korean traditional musical instruments are eight notes, which
are eight kinds of materials such as iron, thread, bamboo, leather, wood,
earth, gourd, and stone.
Korean
musical instruments can be classified as follows according to the materials which
are made and how they are played.
Like
many other countries in the world, Korean traditional music is also showing a
crossover aspect that is mixed with music from other genres. Due to this trend,
we can see a lot of concerts combined with Korean traditional music and various
western instruments.
Today,
I will introduce 3 music as follows:
1.
Jongmyo Jeryeak
2. Sarang-ga
(In Pansori Choonhyangga)
3.
Daegeum Sanjo
You
can listen to all the songs from following YouTube link.