Showing posts with label Blaise Cendrars. Show all posts
Showing posts with label Blaise Cendrars. Show all posts

Sunday, December 19, 2021

Interesting Art Stories: 67. I and the Village, Marc Chagall, ACJ Art Academy



















 

How are you?

Currently, I am introducing the stories about various artists and their paintings with the title Interesting Art Stories.

The 67th story is I and the Village by Marc Chagall.


Portrait of Chagall, Yehuda (Yuri) Pen















I and the Village” is an oil on canvas painting by the Belarusian-French artist Marc Chagall in 1911. Titled by the poet Blaise Cendrars, a close friend of Chagall, the painting was inspired in part by the developing Cubism at the time. As the title suggests, this painting is a "narrative self-portrait" featuring memories of Chagall's childhood in the town of Vitebsk, Russia, and it shows Chagall’s distinct vocabulary of abstraction.


Marc Chagall's childhood home, Vitebsk, Belarus













This painting can be divided into several sections. The upper right shows Chagall's hometown, which includes a church, a series of houses, a black-clothed man holding a scythe and a female violinist in front of the man, and further emphasizes the dreamlike feel of the painting with the woman and some houses in the village upside down. Below that, there is a green-faced man, with a hat and a necklace with a cross, that some say Chagall. At the bottom, there is a hand holding a glowing tree. The object next to it is an object that some say a child's bouncing ball, which appears to be a toy Chagall played with as a child. Finally, there is a milkmaid milking a goat on the top the head of a lamb, a motif common to Chagall. 


Chagall Art Centre, Vitebsk, Belarus













It is noteworthy that this painting is a reflection of Chagall's dreams and memories, and its significance is that it combines various elements of Eastern European folktales, both Belarusian and Yiddish.

This painting is one of Chagall's earliest surviving works, and in the painting, he focused on color, form and shape instead of ignoring the laws of gravity and perspective.

Painted a year after Chagall moved to Paris from Russia, this painting is currently exhibited at the Museum of Modern Art, New York.


Sculpture of Marc Chagall outside Chagall House, Vitebsk,
Belarus












Thank you.


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Sunday, January 10, 2021

The Works by Amedeo Modigliani: 79. Portrait of Blaise Cendrars (1917)




















How are you?

Happy New Year.

I will restart my posting from today.

Modigliani Institute Korea (MIK) is currently introducing artworks of Amedeo Modigliani.

The 79th work to introduce for this week is “Portrait of Blaise Cendrars” in 1917.

This work is an expressionist style portrait and an oil painting on cardboard with the size of 60.9 x 50.8 cm, and held in the Galleria Sabauda in Turin.


Galleria Sabauda, Turin













This work is Modigliani's 1917 oil painting on cardboard, depicting the French writer Blaise Cendrars. Formerly part of the Riccardo Gualino collection, it is now in the Galleria Sabauda in Turin.


Blaise Cendrars















Frédéric-Louis Sauser, better known as Blaise Cendrars, was a Swiss-born novelist and poet who was born on September 1, 1887 and died on January 21, 1961, who was naturalized to France in 1916. He was a writer who had a significant influence on the European Modernist movement, the friend of many artists in Paris, and especially of Chagall who called him "a flame, a light".


Le Marchand de bestiaux, Marc Chagall (1912)








One of the features of this work is that only the name of the model “CENDRARS” is written on the upper right, but there is no signature of Modigliani himself.

Also, the other feature of the work is that the ears are extraordinary described in detail compared to other works.

The colors of the model's hair and jacket are similar, balancing the top and bottom parts, but the jacket color, which was painted much darker, gives the painting stability as well.

From the viewer's perspective, the appearance of tilting slightly to the left from the center of the work shows one of the characteristics of Modigliani paintings.

The left side of the eyebrows and cheekbones are emphasized more than the right side, the background is also emphasized with a much darker color on the left side, and the shape of the face and the rough outline of the face are unique compared to his other works.

Excluding the nose from the model’s face, the eyes, ears and mouth are depicted very small, and the width of the face is also narrowed, making the nose more prominent.

It suggests that the model has a big nose, and his big nose is one of his trademarks as well as his relatively large necktie.

This painting also shows a feature of the Modigliani’s styles that doesn't pay much attention to anything other than the model itself by sparse brushing.


Thank you.


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Now Available: “Paul Gauguin” Audiobook – The Great and Immortal Painters’ Stories, vol. 4

Hello!   I'm excited to share that the audiobook “The Great and Immortal Painters’ Stories: vol. 4 – Paul Gauguin” (Korean version)...