Showing posts with label Il Barbiere di Siviglia. Show all posts
Showing posts with label Il Barbiere di Siviglia. Show all posts

Tuesday, November 3, 2020

COMPOSER OF THE WEEK: 34. Gioachino Rossini




Born: February 29, 1792; Pesaro, Italy

Died: November 13, 1868; Paris, France

Nationality: Italian

Occupation: Composer

 

Gioachino Rossini was an Italian composer born on February 29, 1792 and died on November 13, 1868. He wrote songs, chamber music, piano pieces and sacred music, but gained a reputation for his 39 operas. He set new standards for both comic opera and opera seria, and stopped composing large-scale works in his 30s, when his popularity reached its peak.


Rossini as a young man (c. 1810–1815)















Born in Pesaro to parents who were both musicians (his father was a trumpeter and his mother was a singer), Rossini began composing at the age of 12 and received music education at the music school in Bologna. His first opera was performed in Venice in 1810, when he was 18 years old, and in 1815 he was engaged in writing operas and managing theaters in Naples.


Giuseppe Rossini, father of Gioachino
Rossini















Anna Rossini, mother of Gioachino Rossini













From 1810 to 1823, he wrote 34 operas for the Italian stage performed in Venice, Milan, Ferrara and Naples. During this period, he composed his most famous works including his comic operas “L'italiana in Algeri”, “Il barbiere di Siviglia” and “La Cenerentola”, which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa and Giovanni Paisiello.


The storm scene from Il barbiere di Siviglia, Alexandre
Fragonard (1830)














Rossini also composed opera seria works such as “Otello”, “Tancredi” and “Semiramide.”

In 1824, Rossini signed a contract with The Paris Opera, for which he created an opera to celebrate the coronation of Charles X, “Il viaggio a Reims”, revisions of two of his Italian operas, “Le siège de Corinthe” and “Mosè in Egitto”, and in 1829 his last opera "Guillaume Tell".


Costume designs for Guillaume Tell












The reason of Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained, but his ill-health, the wealth that his success brought him, and the rise of the splendid grand operas under composers such as Giacomo Meyerbeer are presumed for possible reasons. 


Isabella Colbran, first wife of Gioachino
Rossini
















Olympe Pélissier, second wife of Gioachino
Rossini













From the early 1830s to 1855, when Rossini left Paris and lived in Bologna, he wrote relatively very few works. Upon returning to Paris in 1855, he became famous for his Saturday musical salon, which was regularly attended by musicians and the artistic and fashionable groups in Paris, and for this event he wrote an entertaining piece, “Péchés de vieillesse”. The guests of the event included Franz Liszt, Anton Rubinstein, Giuseppe Verdi, Giacomo Meyerbeer and Joseph Joachim. Rossini's last major work was "Petite messe solennelle (1863)," and he died in Paris in 1868.


Rossini's tomb, Basilica of Santa Croce,
Florence




















Thank you.


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Friday, February 7, 2020

35. Opera 1: Identity, ACJ Music Academy



How are you?

Following the last week, I am going to start my 35th lecture.

I had conducted music lectures at Art Collage JANG in Seoul, South Korea every Saturday from March 2015 to December 2017.

I am going to introduce the lecture by the lecture’s order every Saturday.

Please refer to the following link for my previous lectures.

https://blog.naver.com/csydr/220995605864

The music genre starting from this week is opera. 


The opera lecture for this week was the 35th lecture of ACJ Music Academy on February 20, 2016. The theme of the operas is “Identity” treating conflicts between nobles, commons, servants, maids or demons. I introduced 50 operas over 10 weeks, with 5 operas every week by theme.

1. La Serva Padrona (Pergolesi)



La Serva Padrona is an opera buffa by Giovanni Battista Pergolesi, calling “Mozart of Italy”, to a libretto by Gennaro Federico based on the play of Jacopo Angello Nelli. It is regarded as an important work bridging the gap between Baroque and Classical periods. An elderly Uberto, who remains single, declares his marriage because he is so hard to live with Serpina, who is his maidservant. However suddenly lost her job and has loved Uberto for many years, Serpina tries to stop his marriage by disguising one servant as a soldier, deceiving him as her fiancé, and asking Uberto for a dowry. Surprised with the dowry and felt compassion to Serpina who has to be married to a man looking wild, Uberto decides to marry her, and eventually clever Serpina has both identity and love.

2. Don Giovanni (Mozart)



It is an opera written by Mozart in 1787 with an Italian libretto by Lorenzo Da Ponte.
The main character, Don Giovanni, seduces Donna Anna and her father, the Commendatore, became angry. Then Don Giovanni kills the Commendatore with his sword during a duel. But afterwards, he keeps seducing women, enticing the country virgin Zerlina, and sees the knight's statue at the cemetery and invites him to dinner. The knight's statue visits his home that night, but Don Giovanni have no remorse and eventually he falls into hell.

3. Il Barbiere di Siviglia (Rossini)



It is a two-act opera buffa, composed by Rossini, with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy “Le Barbier de Séville (1775)”.
The young Count named Almaviva accidentally sees a virgin named Rosina who lives in an old guardian's house and dreams of marriage at first sight. Almaviva introduces himself as a poor college student in fear of burdening Rosina, a commoner. Due to the guardian's surveillance, he doesn't even get a chance to talk to her, but the town's problem solver, Figaro, comes to his life. He seduces the Count that the two can get married with his tricks if Almaviva gives him enough money. Eventually the Count, Rosina, and Figaro are on one side and Almaviva and Rosina get married.

4. Der Freischütz (Weber)



Der Freischütz is the first German romantic opera in three acts by Carl Maria von Weber with a libretto by Friedrich Kind.
Max, who is in love with the head forester Kuno's daughter, Agathe, can only marry her when he wins the No. 1 in shooter contest. However, as his practice scores are deteriorated, he becomes anxious. At that time, the hunter Kaspar, who sold his soul to the devil, seduces Max, saying, "If you use magic bullets, you can easily win the first place." The two went to the "Wolf Valley", where devils and ghosts gather, to make magic bullets and Max scores the best point on the day of the contest. But when Max shoots the seventh bullet, the devil's bullet knocks down Agathe. However, Agathe, who thought she was dead, had only fainted for a while, and the place where the seventh bullet was actually inserted was the heart of Kaspar, who was trying to hand over his friend to the devil. Max, who confessed that he used magic bullets, was ordered to be deported from the lord, but the respected wise man moved his heart. Then, the lord allowed Max to marry Agathe after a year's grace.

5. Falstaff (Verdi)



Falstaff is a comic opera in three acts composed by Giuseppe Verdi, one of the best opera composers in Italy. The libretto was adapted by Arrigo Boito from Shakespeare's “The Merry Wives of Windsor”. It is the last opera of his 28 operas as well as the only comic opera. Alice and Meg have received Falstaff's letters of courtship that are identical at the same time. The two decide to hoax this patient of megalomania and drive him to the corner.

You can listen to all the arias selected in this course from following YouTube link.

1. Aspettare e non venire, La Serva Padrona (Pergolesi)
2. La ci darem la mano, Don Giovanni (Mozart)
3. Largo al factotum, Il Barbiere di Siviglia (Rossini)
4. Und ob die Wolke sie verhülle, Der Freischütz (Weber)
5. L'onore! Ladri, Falstaff (Verdi)

https://www.youtube.com/playlist?list=PLSmshmgJzYhdGk7WfepXd0J5isfEkFDK4

Next week, I will lecture 2nd "Opera" course as my 36th lecture.

Thank you.

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