Showing posts with label Johannes Brahms. Show all posts
Showing posts with label Johannes Brahms. Show all posts

Thursday, December 23, 2021

105. Classical Music: 20. Antonín Dvořák, ACJ Music Academy


















 

How are you?

This week's lecture is “Antonín Dvořák”, the 20th topic of Classical Music, which is a summary of the contents of 105. Classical Music: 20. Antonín Dvořák introduced on September 30th, 2017.

Antonín Dvořák, born on September 8, 1841 and died on May 1, 1904, was a Czech composer, one of the first internationally recognized.


Dvořák's birthplace in Nelahozeves










Following the Romantic-era nationalist example of his predecessor Bedřich Smetana, Dvořák frequently used rhythms and other aspects of the folk music of Moravia and his native Bohemia.


Bedřich Smetana


















He showed his musical talent from an early age, learning the violin at the age of six. The first public performances of his works were in Prague in 1872, and was particularly successful in 1873 when he was 31 years old. To gain recognition beyond the Prague region, he submitted a score of his First Symphony to a German competition, but did not win, and the unreturned manuscript remained lost until rediscovered many decades later. 

In 1874 he made a submission to the Austrian State Prize for Composition, including two symphonies and other works. Although he did not know it at the time, Johannes Brahms, who was the leading jury member of the contest, was very impressed with his work and Dvořák was awarded the prize. Brahms recommended Dvořák to his publisher, Simrock, who soon afterward commissioned Dvořák for a work what became the “Slavonic Dances, Op. 46.” In 1878, the Berlin music critic Louis Ehlert praised the piece, and the score had excellent sales, and Dvořák's international fame finally began.


Johannes Brahms















Dvořák's first work of a religious character, "Stabat Mater", was premiered in Prague in 1880 and had a successful performance in London in 1883, followed by many other performances in the United Kingdom and the United States. Dvořák often performed his own pieces in nine invited performances in England, and his Seventh Symphony was composed for London. On a visit to Russia in March 1890, he had concerts with his own music in Moscow and Saint Petersburg. In 1891, Dvořák was appointed as a professor at the Prague Conservatory, and in 1890–91 he composed his “Dumky Trio”, one of his most successful chamber music works.


Prague Conservatory












In 1892, Dvořák moved to the United States, where he became the director of the National Conservatory of Music of America in New York City. While in the United States, Dvořák wrote his two most successful orchestral works: the Symphony “From the New World”, which spread his fame worldwide, and his “Cello Concerto”, one of the most highly regarded of all cello concerti. 


The title page of the autograph score of Dvořák's ninth
symphony, From the New World












In the summer of 1893, Dvořák moved from New York City to Spillville, Iowa, where his most famous piece of chamber music, "String Quartet in F major, Op. 96", which was later earned the nickname the "American Quartet”, was written. 


Dvořák's funeral on 5 May 1904














Shortly after moving to Iowa, Dvorák extended his contract with the National Conservatory for two more years, but the financial crisis of April 1893 worsened the Conservatory's financial situation. Unable to receive his salary, Dvorák, along with increasing recognition in Europe and an onset of homesickness, returned to Bohemia in 1895.


Dvořák's grave in the Vyšehrad cemetery














Except his first opera, All of Dvořák's nine operas have librettos in Czech and, like some of his choral works, were intended to convey the Czech national spirit. The most successful of his operas to date is “Rusalka”, and his seventh Humoresque and the song “Songs My Mother Taught Me” are also widely performed and recorded. 


Poster for the premiere of Rusalka in
Prague, 31 March, 1901















The Dvořák Prague International Music Festival is a major series of concerts held annually to commemorate the life and works of Dvořák.


Dvořák statue, Prague












Thank you.


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Thursday, December 16, 2021

The Stories about Music Films: 54. Geliebte Clara (2008)




















 

Basic Info












Title: Geliebte Clara

Genre: Biography, Drama, Music

Country: Germany, France, Hungary

Language: German

Running time: 107 minutes

Release date: 4 December 2008 (Germany), 13 May 2009 (France)


Staff












Director: Helma Sanders-Brahms

Producer: Alfred Huermer

Screenplay by: Helma Sanders-Brahms

Music: Johannes Brahms, Clara Schumann, Robert Schumann

Cinematography: Jürgen Jürges

Edited by: Isabelle Devinck


Cast












Martina Gedeck as Clara Schumann

Pascal Greggory as Robert Schumann

Malik Zidi as Johannes Brahms


Summary












"Geliebte Clara" is a 2008 Franco-German-Hungarian film directed by Helma Sanders-Brahms and the last film she directed before her death in 2014. The film tells the story about the pianist Clara Schumann and her marriage with the composer Robert Schumann.


Clara Schumann



















Plot












After performing Schumann's Piano Concerto in A minor in Hamburg, where the Schumanns get to know the young composer Johannes Brahms, Clara and Robert Schumann live in a new home in Düsseldorf, where Schumann begins his new job as musical director. 


Clara and Robert Schumann















The demands for his new composition, the Rhenish Symphony, creates tension between him and Clara. Shortly thereafter, Brahms introduces some of his works to the Schumanns, and they are impressed by his compositional and pianistic skills. Allowed to stay with them, 


Johannes Brahms
















Brahms takes care of their children. Shortly after the successful premiere of the Rhenish Symphony, Schumann gets to know Dr. Richartz who will help him with his health problems. Schumann considers the talented Brahms as his successor, but Brahms leaves Schumann's house when he realizes that he has feelings more than just friendship for Clara... (Continue)


Movie Review












Really Hearing the Music”

Music draws you into the story”

Lifetime love story”

Really good”

Must see”


Interesting stories about the film












1. Helma Sanders-Brahms, who was a director and writer of the film, is a great-great-grandniece of depicted composer Johannes Brahms in the film.


Helma Sanders-Brahms















2. Nikolai Kinski, the actor playing young Robert Schumann, is the half- brother of Nastassja Kinski, who played Clara Schumann in the film “Frühlingssinfonie (1983).” However, the opening scene of young Robert and young Clara was cut for theatrical release.


Frühlingssinfonie (1983)














From this week, I would like to introduce my film writer page to below links, which I established on the film site “FilmFreeway,” to submit a video to a film festival in Germany, to which I was invited at the beginning of this year.


Thank you.


Movie Trailer

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Thursday, October 14, 2021

100. Classical Music: 15. Johannes Brahms, ACJ Music Academy


















How are you?

This week's lecture is “Johannes Brahms”, the 15th topic of Classical Music, which is a summary of the contents of 100. Classical Music: 15. Johannes Brahms introduced on August 26th, 2017.

Johannes Brahms, born on May 7, 1833 and died on April 3, 1897, was a German composer, pianist and conductor of the Romantic era. Born into a Lutheran family in Hamburg, he spent most of his musical career in Vienna. 


The building in Hamburg where Brahms
was born (1891)

















He is sometimes included in one of the "Three Bs" of music, first mentioned by 19th-century conductor Hans von Bülow along with Johann Sebastian Bach and Ludwig van Beethoven.


Hans von Bülow

















Brahms composed works for orchestra, chamber music, piano, organ, voice and chorus, and as a virtuoso pianist, he premiered many of his own works. He worked with leading contemporary performers, including the pianist Clara Schumann and the violinist Joseph Joachim, and many of his works have become staples of the modern concert repertoire.


Clara Schumann














Joseph Joachim















Brahms' father, Johann Jakob Brahms, was from the town of Heide in Holstein. Against the family's will, Johann Jakob pursued a musical career, and after arriving in Hamburg in 1826 he worked as a string and wind player and a professional musician. In 1830, he married a seamstress Johanna Henrika Christiane Nissen, who was 17 years older than he was.


Johannes Brahms (1853)

 













Brahms received his first musical training from his father and also learned to play the violin and the basics of playing the cello. Having studied piano with Otto Friedrich Willibald Cossel from 1840, Brahms made his debut as a performer at the age of 10. From 1845 to 1848 Brahms studied piano with the pianist and composer Eduard Marxsen who was Cossel's teacher, and in 1847 he made his first public appearance as a solo pianist in Hamburg.


Eduard Marxsen















In the summer of 1896, Brahms was diagnosed with jaundice, and later that year his doctor in Vienna diagnosed him with liver cancer. His last public appearance was on March 7, 1897, when he saw Hans Richter conduct his Symphony No. 4


Hans Richter (conductor)
















His condition gradually deteriorated, and he died on April 3, 1897 in Vienna at the age of 63. He was buried in the Vienna Central Cemetery under a monument designed by Victor Horta along with sculpture by Ilse Twardowski-Conrat.


Brahms’ Grave in the Vienna Central
Cemetery
















Brahms has been considered a traditionalist and an innovator by his contemporaries and later writers, and his music has its roots in the structures and compositional techniques of the Classical masters. 

Although some of his contemporaries considered his music to be overly academic, his contributions and craftsmanship were praised by subsequent musicians such as Arnold Schoenberg and Edward Elgar


Arnold Schoenberg















Edward Elgar













The highly structured character of Brahms' works was a starting point and an inspiration for composers, and the romantic motifs are deeply embedded within those structures.


Monument dedicated to Brahms, Max
Klinger (1909)

























Thank you.


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