Showing posts with label Rusalka. Show all posts
Showing posts with label Rusalka. Show all posts

Thursday, December 23, 2021

105. Classical Music: 20. Antonín Dvořák, ACJ Music Academy


















 

How are you?

This week's lecture is “Antonín Dvořák”, the 20th topic of “Classical Music”, which is a summary of the contents of “105. Classical Music: 20. Antonín Dvořák” introduced on September 30th, 2017.

Antonín Dvořák, born on September 8, 1841 and died on May 1, 1904, was a Czech composer, one of the first internationally recognized.


Dvořák's birthplace in Nelahozeves










Following the Romantic-era nationalist example of his predecessor Bedřich Smetana, Dvořák frequently used rhythms and other aspects of the folk music of Moravia and his native Bohemia.


Bedřich Smetana


















He showed his musical talent from an early age, learning the violin at the age of six. The first public performances of his works were in Prague in 1872, and was particularly successful in 1873 when he was 31 years old. To gain recognition beyond the Prague region, he submitted a score of his First Symphony to a German competition, but did not win, and the unreturned manuscript remained lost until rediscovered many decades later. 

In 1874 he made a submission to the Austrian State Prize for Composition, including two symphonies and other works. Although he did not know it at the time, Johannes Brahms, who was the leading jury member of the contest, was very impressed with his work and Dvořák was awarded the prize. Brahms recommended Dvořák to his publisher, Simrock, who soon afterward commissioned Dvořák for a work what became the “Slavonic Dances, Op. 46.” In 1878, the Berlin music critic Louis Ehlert praised the piece, and the score had excellent sales, and Dvořák's international fame finally began.


Johannes Brahms















Dvořák's first work of a religious character, "Stabat Mater", was premiered in Prague in 1880 and had a successful performance in London in 1883, followed by many other performances in the United Kingdom and the United States. Dvořák often performed his own pieces in nine invited performances in England, and his Seventh Symphony was composed for London. On a visit to Russia in March 1890, he had concerts with his own music in Moscow and Saint Petersburg. In 1891, Dvořák was appointed as a professor at the Prague Conservatory, and in 1890–91 he composed his “Dumky Trio”, one of his most successful chamber music works.


Prague Conservatory












In 1892, Dvořák moved to the United States, where he became the director of the National Conservatory of Music of America in New York City. While in the United States, Dvořák wrote his two most successful orchestral works: the Symphony “From the New World”, which spread his fame worldwide, and his “Cello Concerto”, one of the most highly regarded of all cello concerti. 


The title page of the autograph score of Dvořák's ninth
symphony, From the New World












In the summer of 1893, Dvořák moved from New York City to Spillville, Iowa, where his most famous piece of chamber music, "String Quartet in F major, Op. 96", which was later earned the nickname the "American Quartet”, was written. 


Dvořák's funeral on 5 May 1904














Shortly after moving to Iowa, Dvorák extended his contract with the National Conservatory for two more years, but the financial crisis of April 1893 worsened the Conservatory's financial situation. Unable to receive his salary, Dvorák, along with increasing recognition in Europe and an onset of homesickness, returned to Bohemia in 1895.


Dvořák's grave in the Vyšehrad cemetery














Except his first opera, All of Dvořák's nine operas have librettos in Czech and, like some of his choral works, were intended to convey the Czech national spirit. The most successful of his operas to date is “Rusalka”, and his seventh Humoresque and the song “Songs My Mother Taught Me” are also widely performed and recorded. 


Poster for the premiere of Rusalka in
Prague, 31 March, 1901















The Dvořák Prague International Music Festival is a major series of concerts held annually to commemorate the life and works of Dvořák.


Dvořák statue, Prague












Thank you.


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Tuesday, June 23, 2020

COMPOSER OF THE WEEK: 16. Antonín Dvořák


Born: September 8, 1841; Nelahozeves, Austrian Empire (Present Czech Republic)
Died: May 1, 1904; Prague, Austrian Empire (Present Czech Republic)
Nationality: Czech Republic
Occupation: Composer

Antonín Dvořák was one of the first Czech composers to be recognized worldwide as a Czech composer, who was born on September 8, 1841 and died on May 1, 1904. Following his predecessor of the nationalist music, Bedřich Smetana, Dvořák frequently used the rhythms and other elements of the folk music from Moravia and his hometown, Bohemia, to his music.

Birthhouse of Antonín Dvořák, Nelahozeves.

He showed his musical talent when he started learning the violin when he was six years old, and in 1872 held his first public concert in Prague. To gain recognition beyond the Prague, Dvořák submitted a score of his “Symphony No. 1” to a music contest in Germany, but did not win, and the score was lost for many decades without returning and then found again. 

In 1874, Dvořák submitted several works, including two additional symphonies, to the Austrian State Prize for Composition. At the time of submission, Dvořák did not know it, but Johannes Brahms was the leading member of the jury, and Brahms was very impressed with his works. The prize was awarded to Dvořák in 1874 and then again in 1876 and 1877. 

Brahms recommended Dvořák to his publishing company, Simrock, and soon Dvořák was commissioned to publish the "Slavonic Dances" by the publisher. The work was highly acclaimed by Berlin music critic Louis Ehlert in 1878, and Dvořák began to gain international fame with high sales of the sheet music of the work.

Dvořák's first work of a religious character, "Stabat Mater", was premiered in Prague in 1880 and made a huge success in London in 1883.

In 1891, Dvořák was appointed as a professor at the Prague Conservatory, and from 1890 to 1891 he wrote "Piano Trio No. 4", also called "Dumky Trio", which is one of his most successful chamber music.

Statue of Antonín Dvořák, Prague

Dvořák, who moved to the United States in 1892, became the director of the National Conservatory of Music of America in New York City. He wrote his two most successful orchestral works, The Symphony No. 9, “From the New World” and “The Cello Concerto” while living in the United States. He also wrote “The String Quartet No. 12,” also known as “The American String Quartet”, which is his most famous chamber music during this time. 

Statue of Antonín Dvořák, Stuyvesant Square, New York City

However, Dvořák left the United States and return to Bohemia in 1895 because of his increasing recognition in Europe and homesick, along with the difficulty of getting paid.
All of Dvořák's nine operas are written in Czech except for the first work, and were intended to convey the Czech national spirit. 

The most successful of his operas to date is "Rusalka". Among his smaller works, "Humoresque No. 7" and "Songs My Mother Taught Me" are also widely performed and recorded.

Thank you.

Dvořák's funeral (5 May 1904)

Dvořák's gravesite, Vyšehrad cemetery



Friday, March 27, 2020

42. Opera 8: Fairy Tales/Legends, ACJ Music Academy



How are you?

Following the last week, I am going to start my 42nd lecture.

I had conducted music lectures at Art Collage JANG in Seoul, South Korea every Saturday from March 2015 to December 2017.

I am going to introduce the lecture by the lecture’s order every Saturday.

Please refer to the following link for my previous lectures.


Today's lecture is five operas featuring “Fairy Tales/Legends”, which were introduced in “The 42nd ACJ Music Academy” on April 9, 2016.

1. Die Zauberflöte (Mozart)
2. Faust (Gounod)
3. Les contes d'Hoffmann (Offenbach)
4. Rusalka (Dvořák)
5. Pelléas et Mélisande (Debussy)


1. Die Zauberflöte (Mozart)


The opera “Die Zauberflöte” is a two-act opera composed by Wolfgang Amadeus Mozart, to a German libretto by Emanuel Schikaneder. The opera was written in the form of a Singspiel that included both singing and spoken dialogue, which was popular at the time. It was also premiered at the Freihaus-Theater auf der Wieden in Vienna, Schikaneder's theater, on September 30, 1791, just two months before Mozart's death.

The opera's plot shows a fight between the worlds of light and darkness, which are contrasting each other. The world of darkness that appears first is the world dominated by The Queen of the Night, where magic and witchcraft play in chaos. The world of light, on the contrary, is dominated by the sage “Sarastro”, where wisdom, reason, and nature form a trinity to teach people a happy and modest way of life.

Sarastro attempts to kidnap The Queen of the Night's daughter Pamina into his world and protect her from the queen, and the enraged Queen of the Night tries to take over the innocent prince Tamino to get back her daughter.

At this time, the queen gives the prince a “magic flute” that can calm the wild beasts, as a guard, and Papageno, a bird catcher who will accompany him, a magical bell with an iridescent sound. The queen visits her daughter Pamina in the middle of the night, saying, 
"If you don't kill Sarastro with your hands, you're not my daughter." And gives her a dagger to kill him, but Pamina falls to Sarastro's rational persuasion and forsakes her mother's world. The Vengeful Queen of the Night is launching an attack to destroy Sarastro's Empire of the Sun and seize power, but eventually the victory returns to the world of light and the queen and the world of darkness perish together.

2. Faust (Gounod)


It is a five-act grand opera composed by Charles Gounod with a French libretto by Jules Barbier and Michel Carré from Carré's play “Faust et Marguerite”, loosely based on Johann Wolfgang von Goethe's Faust, Part One.

The main storyline of the opera is a love story of Marguerite, a young maiden, and Faust, who became a young man with a contract with the devil. The old philosopher Faust despairs about gaining wisdom in the book, lamenting the vainness of life, and the moment he attempts to commit suicide with poison, the devil Méphistophélès appears. The devil tells Faust that he can give him everything, and Faust says he wants to be young and love again. In response, the devil proposes to give Faust youth and introduce Marguerite to him in exchange for taking Faust's soul. As soon as he sees the vision of charming Marguerite, Faust immediately contracts with the devil.

Then, Faust approaches Marguerite and says he will protect her, but Marguerite refuses it. Eventually, Méphistophélès helps Faust to get Marguerite's love. A few months later, Marguerite kills her child in an accident because of his brother Valentin's death and Faust, who never returns. Faust and Méphistophélès appear in front of Marguerite, who was imprisoned and became insane. Méphistophélès encourages Faust to decide whether to die with her here or flee. Eventually, Faust falls to hell with Méphistophélès, and Marguerite saves her soul with the help of an angel and ascends to heaven.

3. Les contes d'Hoffmann (Offenbach)


It is a three-act opera with prologue and epilogue composed by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story.

The opera is proceeded in the form that a writer, Hoffmann, is seated at a bar in Berlin, and tells college students the stories of his youth and past lovers.

The first lover Olympia was a doll made by a doctor, who is a physicist and mechanical engineer, but Hoffmann, who thought it was a real woman, loves the doll. He confesses love to Olympia and dances with her, but in the end this love ends by the envy and the jealousy in surroundings.

Antonia, who was his second lover, is a woman who inherited pulmonary tuberculosis with a beautiful voice from her mother who passed away early. She should not sing because of illness, but she sings endlessly with the skillful persuasion of her demon-like doctor and is eventually exhausted and dies.

The third lover is a courtesan, Giulietta, in Venice and if someone wants to sleep with her, he has to sell his soul to the devil. Indulged in Giulietta singing barcarolle "Belle nuit, ô nuit d'amour", Hoffmann kills a man in a duel to get the key of her room, but Giulietta ridicules him, rides on a gondola and disappears with the devil. The Muse comforts Hoffmann, who was never successful in love, saying “The artist always fails in love, but the experience of that passion helps to create a better works” and the opera ends.

4. Rusalka (Dvořák)


It is a three-act opera composed by Antonín Dvořák. The Czech libretto was written by the poet Jaroslav Kvapil based on the fairy tales of Karel Jaromír Erben and Božena Němcová. A rusalka is a water sprite living in a lake or river from Slavic mythology.

Rusalka, a mermaid living in the river, falls in love with a prince who occasionally comes to the forest for hunting and earnestly prays to the moon in the sky. Like "The Little Mermaid," Rusalka goes to the witch and loses her voice instead of gaining legs.

The prince is fascinated by the cold beauty of Rusalka, but instead of her who is unable to express her mind with words, he loves a princess in a neighboring country who confesses love with fiery passionate words. Then, Rusalka rejects the witch's temptation that “if she kills the prince, she can return to the mermaid again'' and wanders in despair alone.

But after the prince left Rusalka, he has an incurable disease that cannot survive and wants only Rusalka. Rusalka, who realized that only death can end the pain of the prince, returns and kisses him as he wishes, causing the prince to sleep forever, and the god of water sighs with repentance.

5. Pelléas et Mélisande (Debussy)


It is a five-act opera composed by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's famous symbolist play Pelléas et Mélisande. This opera, which Debussy rejected the conventional name, “opera” and called it “drama lyrique", is often called "Impressionist Opera."

Prince Golaud, grandson of King Arkel of Allemonde, a fictitious country, take Mélisande, a princess from a distant country whom he met at a spring in the forest, as his wife and to the castle. In the castle, Mélisande becomes acquainted with Golaud's half-brother Pelléas.

Golaud, who is jealous of Pelléas, asks him to leave the castle. Then, Golaud tells Yniold, who is a son with his ex-wife, to watch the two. Before the departure, when Pelléas confesses his love to Mélisande at the spring in the garden, Golaud appears and kills Pelléas. Mélisande, who is seriously wounded, dies, leaving a young baby who was just born.

You can listen to all the arias selected in this course from following YouTube link.

1. Der Hölle Rache kocht in meinem Herzen, Die Zauberflöte (Mozart)
2. Le veau d’or, Faust (Gounod)
3. Belle nuit, o nuit d’amour, Les contes d'Hoffmann (Offenbach)
4. Mesicku na nebi hlubokem, Rusalka (Dvořák)
5. Quel est ce bruit?, Pelléas et Mélisande (Debussy)


You can also review this lecture from following media.


Next week, I will lecture 9th "Opera" course as my 43rd lecture.

Thank you.



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