Showing posts with label Pierre-Auguste Renoir. Show all posts
Showing posts with label Pierre-Auguste Renoir. Show all posts

Thursday, November 11, 2021

Interesting Art Stories: 64. The Portrait of Irène Cahen d’Anvers, Pierre-Auguste Renoir, ACJ Art Academy


















How are you?

Currently, I am introducing the stories about various artists and their paintings with the title Interesting Art Stories.

The 64th story is The Portrait of Irène Cahen d’Anvers by Pierre-Auguste Renoir.


Self-portrait, Pierre-Auguste Renoir (1875)














The “Portrait of Irène Cahen d’Anvers” is an oil painting by the French Impressionist artist Pierre-Auguste Renoir.

Commissioned by the wealthy French Jewish banker, Louis Cahen d'Anvers in 1880, the painting depicts his 8-year-old daughter, Irène Cahen d'Anvers.


Louis Cahen d'Anvers, Léon Bonnat (1901)













Renoir, who frequently painted portraits for the families of the Jewish community living in Paris in the 1870s and 80s, met Louis Cahen d'Anvers through the art collector Charles Ephrussi, the owner of the Gazette des Beaux-Arts.


Charles Ephrussi, Jean Patricot (1905)













Louis commissioned Renoir for two portraits of his three daughters, one of which depicts the eldest daughter Irène, and the other depicts her sisters Alice and Elizabeth, which is now known as “Pink and Blue.”


Pink and Blue, Pierre-Auguste Renoir
(1881)


















Today, the painting is considered as one of Renoir's masterpieces, but at the time, Louis was so dissatisfied with the painting that he hung the painting in the servants' quarters and even delayed paying Renoir for the painting.

In 1883, the painting was exhibited for the first time in Renoir's first solo exhibition at Paul Durand-Ruel's Boulevard des Capucines gallery, and was purchased in 1910 by the Camondo family, which Irène had married into.


Portrait of Paul Durand-Ruel, Pierre-Auguste
Renoir (c. 1910)














The model for the painting, Irène Cahen d’Anvers, was 8 years old when it was painted.

The eldest daughter of Count Louis Cahen d'Anvers, she married Count Moïse de Camondo in 1891. However, the two fell apart in 1897 due to her affair with Count Charles Sampieri, Camondo's stable master, to which Irène would later marry and divorce. Irène and Camondo had two children, Nissim and Béatrice. Nissim became a fighter pilot of the French Air Force during World War I and was killed in action over Lorraine in 1917. 


Moïse de Camondo















Nissim and his sister Béatrice de Camondo
(1916)
















In 1935, Camondo bequeathed his Parisian mansion, including his major collection of art, to the Musée des Arts Décoratifs in Paris to be used to establish the Musée Nissim de Camondo in honor of him and Irène's son. Because of their Jewish descent, Béatrice, along with her ex-husband and two children, was executed in Auschwitz by the Nazis during World War II. In 1963, Irène died in Paris at the age of 91.


Grand Salon, Musée Nissim de Camondo











After the fall of France, the painting was looted from Château de Chambord by the Nazis and became the private collection of Hermann Göring, along with many other important pieces of European art, and then the collection of German art dealer Gustav Rochlitz. Re-appearing in 1946, the painting was exhibited in Paris as one of the "French masterpieces found in Germany."


Hermann Göring
















Later, the painting was acquired by Emil Georg Bührle, a Swiss industrialist, German-born art collector, and CEO of the OC Oerlikon, a wartime supplier of the German military, along with dozens of other artworks stolen by the Nazis. Currently, the painting is owned by the E.G. Bührle Collection in Zürich.


Emil Georg Bührle














In 2014, the painting appeared in the movie "The Monuments Men" as one of the works of art saved by the Monuments, Fine Arts, and Archives program. In 2018, as part of a series of Impressionist artworks on loan from the E.G. Bührle Collection, it was exhibited in the National Art Center in Tokyo and gained popularity in Japan.


The National Art Center, Tokyo
















Thank you.


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Monday, September 13, 2021

Interesting Art Stories: 60. Bal du moulin de la Galette, Pierre-Auguste Renoir, ACJ Art Academy














How are you?

Currently, I am introducing the stories about various artists and their paintings with the title Interesting Art Stories.

The 60th story is Bal du moulin de la Galette by Pierre-Auguste Renoir.

Bal du moulin de la Galette” is an 1876 painting by French artist Pierre-Auguste Renoir, one of the most famous Impressionist works. 


Self-portrait, Pierre-Auguste Renoir (1910)













Measuring 131 × 175 cm, this painting is currently housed at the Musée d'Orsay in Paris. The painting depicts a typical Sunday afternoon at the Moulin de la Galette in the district of Montmartre in Paris. In the late 19th century, working class Parisians would dress up and spend time there dancing, drinking and eating galettes until the evening.


Moulin de la Galette (1885)











Like other paintings of Renoir's early maturity, the painting is a typical expression of real life of the Impressionists, and the rich form, fluid brushstrokes and colorful sunlight shining through the trees are impressive.


Musée d'Orsay, Paris










From 1879 to 1894, the painting was in the collection of the French painter Gustave Caillebotte, and when he died it became the property of the French Republic in lieu of an inheritance tax. Then, the painting was in the collection of the Musée du Luxembourg in Paris from 1896 to 1929, of the Musée du Louvre from 1929, and then of the Musée d'Orsay from 1986.


Self-portrait, Gustave Caillebotte (c.1892)













Renoir painted a smaller version (78 × 114 cm) with the same title, which is now believed to be in a private collection in Switzerland. The two paintings are almost identical except for their size, but the smaller version was painted in a more fluid form than the version at the Musée d'Orsay. The painting was catalogued in the list of exhibited works at the 3rd Impressionist exhibition of 1877, indicating that it was first exhibited in this exhibition, but it is not known which version was exhibited there because there was no indication for the size of the painting and information to identify it.


Smaller version of Bal du moulin de la Galette












In May 1876, Renoir conceived a painting that people are dancing at the Moulin de la Galette, and its process is described in detail in the memoir “Renoir et ses amis,” written by his friend Georges Rivière


Georges Rivière, Pierre-Auguste Renoir
(1877)















For this painting, Renoir used an abandoned cottage in the rue Cortot, with a garden that Rivière described as "a beautiful abandoned park" as his studio. At this time, several of Renoir's major works were painted in this garden, including “La balançoire (The Swing)” and the gardens and its buildings have been preserved as the Musée de Montmartre.


La balançoire (The Swing), Pierre-Auguste
Renoir (1876)














When Renoir created this painting, he encouraged his models to wear fashionable hats of the time, but Jeanne Samary, his favorite 16-year-old model, refused to accept his suggestion. Standing in this painting, she was the principal model for Renoir’s paintings that also appears in "La balançoire", and the girl in a blue and pink striped dress sitting next to her is her sister, Estelle. These two girls came to the Moulin every Sunday with their two younger sisters, mother and father. 


Portrait of Jeanne Samary, Pierre-Auguste
Renoir (1878)



















Beside her is a group consisting of the painter Pierre-Franc Lamy and Norbert Goeneutte, who also appears in “La balançoire,” as well as Rivière himself. Don Pedro Vidal de Solares y Cardenas, a Cuban painter in striped trousers behind her, is dancing with the model called Margot (Marguerite Legrand)


Models of Bal du moulin de la Galette: 1. Jeanne Samary
2. Estelle Samary3. Pierre-Franc Lamy4. Norbert
Goeneutte
5. Georges Rivière6. Marguerite Legrand
7. Don Pedro Vidal de Solares y Cardenas













The exuberant Margot is dancing with Solares who is too reserved, trying to release his tension while dancing. Unfortunately, however, she died of typhoid just two years later, and Renoir cared for her until the end, paying both for her treatment and her funeral. 


Portrait of Margot, Pierre-Auguste Renoir
(1877)













Rivière recalled that when this painting was being painted on the spot, the constant winds threatened to blow the canvas away, making it difficult to paint.


Thank you.


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