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Showing posts with label Artist of the Week. Show all posts
Showing posts with label Artist of the Week. Show all posts
Born: April 15, 1812; Paris, France Died: December 22, 1867; Barbizon, France Nationality: French Art Movement: Realism, Barbizon school Genre:landscape Field:painting Influenced on:Narcisse-Virgilio Diaz Friends/Co-workers:Jean-Francois Millet, Camille Corot
Théodore Rousseau was a French painter of the Barbizon school, born in a bourgeois family in Paris, France.
Théodore Rousseau
He had exhibited six works in the Salons of 1831, 1833, 1834 and 1835, but in 1836, one of his masterpieces, “Paysage du Jura”, was rejected at the Salon exhibition.
La descente des vaches dans le Jura Théodore Rousseau
Then, between 1836 and 1841, he submitted a total of eight additional works to the Salon, but none of them were accepted. Disappointed by this, Rousseau no longer sent his works to the Salon until 1849, when all three of his submissions were accepted.
In 1851, his masterpiece "The Edge of the Forest", similar in treatment to, but slightly different in subject from, the work "A Glade in the Forest of Fontainebleau”, in the Wallace Collection at Hertford House, London, was exhibited.
Edge of the Forest at Fontainebleau, Setting Sun Théodore Rousseau
A Glade in the Forest of Fontainebleau Théodore Rousseau, Wallace Collection
Wallace Collection
Rousseau only occasionally had lived at Barbizon until this time, but from 1848 he lived in this forest village and spent most of his remaining life nearby.
Forest of Fontainebleau
Then, Rousseau suffered a series of misfortunes, including his wife's deteriorating mental health and almost no patrons. Also, in 1863, while visiting the Alps, sketching Mont Blanc, he became seriously ill with pneumonia and, after returning to Barbizon, suffered from insomnia, making his body gradually weakened.
Mont Blanc, Alps
He was elected president of the fine-art jury for the 1867 Exposition, but in August he became paralyzed. He recovered slightly, but again suffered several times in the fall.
His condition worsened in November 1867, and he eventually died in the presence of his lifelong friend and most admired painter Jean-François Millet, on December 22, 1867, who assumed charge of Rousseau's ill wife at his death.
Influenced by:
John Constable, Peter Paul Rubens, Michelangelo, Titian, Diego Velázquez,
Rembrandt, Antoine-Jean Gros, Henry Fuseli, John Singleton Copley
Influenced on:
Eugene Delacroix, Piotr Michałowski, Ary Scheffer
Teachers:Carle Vernet, Pierre-Narcisse Guérin
Théodore
Géricault was a French painter and lithographer who was one of the pioneers of
the Romantic movement.
Born
in Rouen, France, Géricault learned art from Carle Vernet and Pierre-Narcisse
Guérin.
Portrait of Carle Vernet, Robert Lefevre
Portrait of Pierre-Narcisse Guérin, Robert Lefèvre
Then, from 1810 to 1815, he studied paintings at the Louvre, where he
copied paintings by Rubens, Titian, Velázquez and Rembrandt.
The Louvre Museum
His
first major work, "The Charging Chasseur," showing the influence of
the style of Rubens and his interest in depicting contemporary themes, was exhibited
at the Paris Salon of 1812.
The Charging Chasseur, Théodore Géricault
He
exhibited “The Wounded Cuirassier” at the Salon in 1814, but he was
disappointed by the lesser reactions than before, and entered the army and
served in the garrison of Versailles.
The Wounded Cuirassier, Théodore Géricault
He
was fascinated by Michelangelo while traveling to Florence, Rome, and Naples
from 1816 to 1817, and his series of lithographs on military subjects after
returning from Italy is considered some of the earliest masterpieces in the
field of lithography.
His most famous painting is "The Raft of the Medusa
(1818-19)," depicting the incident on the French shipwreck, Meduse, where
the captain had left the crew and passengers to die.
The Raft of the Medusa, Théodore Géricault
Géricault's
dramatic interpretation of the incident, which has become a national scandal,
presented its tragedy on a monumental scale. The painting aroused political
controversy when it was first exhibited at the Paris Salon of 1819, but it was
highly praised at the 1820 British exhibition.
The frigate Méduse sailing
Géricault,
who returned to France in 1821, drew a series of ten portraits depicting
psychiatric patients of Dr. Étienne-Jean Georget, one of the pioneers in
psychiatric medicine, among which five portraits, including "Insane
Woman" remain.