Showing posts with label Leopold Zborowski. Show all posts
Showing posts with label Leopold Zborowski. Show all posts

Sunday, June 27, 2021

The Works by Amedeo Modigliani: 91. Pierre Edouard Baranowski (1918)




 


























How are you?

Modigliani Institute Korea (MIK) is currently introducing artworks of Amedeo Modigliani.

The 91st work to introduce for this week is “Pierre Edouard Baranowski” in 1918.

This work is an expressionist style portrait and an oil painting on canvas with the size of 111 x 56 cm and possessed in private collection.

The painter Pierre Edouard Baranowski, known as “Bara”, was a member of the Polish colony of Paris. 

A habitue of the Montparnasse cafes in the 1920s, he seems to have met Modigliani either through his friend and dealer Leopold Zborowski, or through his friend Moise Kisling. 


Portrait of Leopold Zborowski (1917)















Portrait of Moise Kisling (1916)



















This painting is the only known portrait of Baranowski, who painted flowers, still lifes and landscapes and exhibited at the Salon d'Automne, the Salon des Tuileries and the Salon des Independants between 1920 and 1929. 

In this painting, he occupies the entire space of the painting with his androgynous grace. His pose also has Mannerist style, with the bent face, the barely noticeable smile, and a left hand that seems to hang loosely. 

The black color of the jacket and tie, the light blue color of the eyes and the background, the dark blue color of the trousers and the paleness of the model's skin are emphasized by the white color of his shirt, and the slanted model's head seems to avoid the symmetry of the painting.

Modigliani said, "To do any work, I must have a living person, I must see him in front of me."

Baranowski was one of the artists and intellectuals who flocked to Paris from Central Europe, whose talents were not recognized and dreams could not be realized, but he seems to have been the kind of model Modigliani liked.


Thank you.


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Sunday, April 18, 2021

The Works by Amedeo Modigliani: 86. Little Girl in Blue (1918)

























 

How are you?

Modigliani Institute Korea (MIK) is currently introducing artworks of Amedeo Modigliani.

The 86th work to introduce for this week is “Little Girl in Blue” in 1918.

This work is an expressionist style portrait and an oil painting on canvas with the size of 116 x 73 cm.

This painting has a large size, although Modigliani generally used a large canvas only when drawing adult models: for example, the portraits of Leopold Zborowski (107 x 66 cm) and Mario Varvogli (116 x 73 cm)


Portrait of Leopold Zborowski, Amedeo
Modigliani (1917)

















Portrait of Mario Varvogli, Amedeo
Modigliani (c.1919)

















The collection of the Barnes Foundation such as “Redheaded Girl in Evening Dress (116.2 x 73 cm)” and “Young Woman in Blue (90.8 x 60 cm)” were also painted on a large size canvas.


Redheaded Girl in Evening Dress, Amedeo
Modigliani, The Barnes Foundation (1918)

















Young Woman in Blue, Amedeo
Modigliani, The Barnes Foundation (1919)


















The Collection, Barnes Foundation












This painting shows a young girl of 8-10 years old, standing in the corner of a room and is drawn almost life-size. The blue color of the girl's dress and walls goes well with the girl's eyes and the large wrinkled collar on her clothes. The composition based on the corner of the room combines with the girl's shadow and the dark tiles on the floor to give a sense of depth and stability, and the girl's boots and the dark color of her hair are in good harmony with the red ribbon on her head. 

This painting was created in Nice, Southern France, and seems to have been painted on a warm, sunny day in the bright shades of pastel blue and the girl's shadow on the floor and walls.


Amedeo Modigliani (right) in Nice (1918)
















It is very rare for Modigliani to paint the floor in his paintings, and in this painting it seems that he painted the floor to emphasize the girl standing in the corner of the room. In this painting, the floor is tilted up and her feet are facing down, giving the feeling of the girl floating in the air.

The girl's expression has sweetness and innocence, but rather it gives a feeling of gloomy rather than joy. It also seems that she comes from a poor family in the girl's expression, and maybe the dress the girl is wearing is the only dress she has.


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Sunday, April 4, 2021

The Works by Amedeo Modigliani: 85. Young Girl in Beret (1918)





















 

How are you?

Modigliani Institute Korea (MIK) is currently introducing artworks of Amedeo Modigliani.

The 85th work to introduce for this week is “Young Girl in Beret” in 1918.

This work is an expressionist style portrait and an oil painting on canvas with the size of 65.4 x 46.3 cm.

This work was firstly owned by Modigliani's friend and art dealer Leopold Zborowski, and then by Roger Dutilleul, and then by the Netter collection in Paris until 2007. It is currently in private collection by the auction at Christie’s, London on February 6, 2007.


Portrait of Leopold Zborowski, Amedeo
Modigliani (1917)















Roger Dutilleul, Amedeo Modigliani (1919)

















It is a portrait of a girl wearing a black beret. Another work of the same model as this work is owned by the Nagoya City Art Museum in Nagoya, Japan (hereinafter “Nagoya Portrait”).


Girl with Pigtails, Amedeo Modigliani,
Nagoya City Art Museum (1918)
















Nagoya City Art Museum














Considering the characteristics of Modigliani's painting, which doesn't pay much attention to the background so that viewers can focus only on the model, this work shows signs of paying attention to the background, such as drawing a slightly open door. Also, the slightly tilted head, one of Modigliani's painting features, is not shown in this work. 

The girl's black beret contrasts with the girl's white and pale skin, the white ribbon tying the girl's hair exposed under the hat, and the girl's white teeth. In addition, the girl's pure, shy smile and the rather humorous uneven teeth alleviate the paleness of the girls' skin and pink dress and give this painting a more intimacy. 

Compared to this work, the girl in Nagoya portrait does not wear a hat, and the color of the ribbon that tied her hair is black, and the pigtails are clearly shown. Also, unlike the girl in this work, who looks bright and pale overall, the Nagoya portrait is in a darker color. Overall, this work shows a more sophisticated appearance than that of the Nagoya portrait.

The Model of this work can also be seen in Modigliani's other works as shown below.


Young girl, Amedeo Modigliani (1917)















Little Maud, Amedeo Modigliani (1917)












Thank you.


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