Monday, November 18, 2019

The Introduction of the Works by Amedeo Modigliani: 20. Anna Akhmatova (1911)



How are you?

Modigliani Institute Korea (MIK) is currently introducing artworks of Amedeo Modigliani one by one every week.

The 20th work to introduce for this week is “Anna Akhmatova (1911)”.

This work is, a drawing of an expressionist style with pencil on paper.

Anna Akhmatova was a Russian poet born in 1889, and was one of the most important Russian poets of the 20th century.

Modigliani met Anna when she was 21 in Paris in 1910, when he was 26, and she became the first serious love of Modigliani in his life.

At the time, however, she was married and was on a honeymoon with her husband in Paris.

Anna was a tall woman with dark hair, pale skin and grey-green eyes, and she embodied Modigliani's aesthetic ideals.

The two passionately loved each other, but after a year Anna returned to her husband and their relationship ended.

Modigliani was fascinated by Anna's poetic genius, charismatic beauty, and her long and sensual body, and her such images had a great impact on Modigliani's artistic development.

Modigliani studied Anna in connection with a large number of Egyptian reliefs.

The reliefs he studied were buried with many mourners who wished for eternal life and would comfort and accompany their souls in the next world, and it seemed that Modigliani, having mystical nature, had interests in them.

And his interest in the Egyptian reliefs wishing for the eternal life seems to have been consistent with the desire of Modigliani who wished Anna’s poetic inspiration and beauty to be preserved and lasted forever.

Modigliani was fascinated by the beauty of Anna and her noble and sculptural appearance, which he had seen from the ancient Egyptian women.

And Modigliani, who had a poetic and mystical personality, may have imagined Anna in the form of, especially, an Egyptian Queen among the ancient Egyptian women, seen at the Louvre.

In her memoirs, Anna described Modigliani's passion for Egyptian art, and it gives us a good understanding of how Modigliani was impressed with the Egyptian art.

Modigliani tried to reduce the use of lines as much as possible in this work.

His such efforts seem to be Modigliani's intentions to convey the theme of this work as efficiently as possible.

With such efforts of Modigliani, the viewers’ eyes are able to concentrate on her head and pose.

Thank you.




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