Showing posts with label Fine Art. Show all posts
Showing posts with label Fine Art. Show all posts

Monday, May 10, 2021

Interesting Art Stories: 51. Self-Portrait with Bandaged Ear, Vincent van Gogh, ACJ Art Academy


















 

How are you?

Currently, I am introducing the stories about various artists and their paintings with the title Interesting Art Stories.

The 51st story is Self-Portrait with Bandaged Ear by Vincent van Gogh.


Self-Portrait, Vincent van Gogh (1889)













"Self-Portrait with Bandaged Ear" is an 1889 self-portrait by Vincent van Gogh, a Dutch Post-Impressionist artist. This painting is now one of the collection of the Courtauld Institute of Art in London, England.


The Courtauld Institute of Art












This self-portrait was painted by Van Gogh shortly after he returned home from hospital after mutilating his own ear. In this painting, Van Gogh shows himself wearing a blue cap with black fur and a green overcoat, with a bandage covering his ear. His facial expression looks still and melancholy, as if contemplating his future as an artist.

In the background of the painting, there are an open window that appear to be letting in a cold winter breeze, a canvas on an easel, and a Japanese woodblock print. The blank canvas on the left seems to suggest that he will also continue to draw many paintings in the future, and the Japanese woodblock print on the right is “Geishas in a Landscape” created by Sato Torakiyo in the 1870s, showing that Japonism and Japanese woodblock print had a significant influence on Van Gogh's work.


Geishas in a Landscape, Sato Torakiyo
(1870s)
















Japan, like Arles, was an exotic place of refuge in Van Gogh's imaginary world, and as in “The Crau at Arles: Peach Trees in Blossom (1889)” with a background reminiscent of Japan's Mount Fuji, the two places are also implied in this painting.


The Crau at Arles: Peach Trees in Blossom (1889)












Van Gogh actually multilated his left ear, but because he used a mirror to draw this painting, some people mistakenly think that he mutilated his right ear instead of his left.

Van Gogh moved from Paris to Arles in 1888 in hopes of creating a community where artists support and encourage one another. He invited Paul Gauguin, an artist who had become a friend in Paris, to his home and Gauguin joined in October of that year. 


Bedroom in Arles, Vincent van Gogh (1888)













However, the two were a disagreeable pair and frequently quarreled fiercely. Van Gogh got angry fiercely when he heard that Gauguin will soon leave his home. On the evening of December 23, 1888, Van Gogh had a seizure and threatened Gauguin with a razor and then mutilated his own ear. Then, he presented his mutilated earlobe to a prostitute named Rachel. Van Gogh, who was taken to the hospital after the incident, confessed that he had no recollection of what had happened during his seizure.


Vincent van Gogh painting sunflowers, Paul Gauguin (1888)














At the time of Van Gogh's death, it was owned by Julien (Père) Tanguy, who was his model in his paintings, and Samuel Courtauld, the founder of the Courtauld Institute of Art, purchased it in 1928. 


Portrait of Père Tanguy, Vincent van Gogh
(1887)














By January 17, 1889, Vincent wrote to his younger brother Theo that he had completed "another new self-portrait"


Theo van Gogh














However, controversy has arisen as to whether this referred to was “Self Portrait with Bandaged Ear” or another self-portrait, “Self Portrait with Bandaged Ear and Pipe”.


Self Portrait with Bandaged Ear and Pipe,
Vincent van Gogh (1889)















Thank you.


Amazon Author Page

Lecture Program List

YouTube

Korean Blog

Naver TV

Naver Post





Sunday, April 25, 2021

Interesting Art Stories: 50. The Storm on the Sea of Galilee, Rembrandt, ACJ Art Academy



















 

How are you?

Currently, I am introducing the stories about various artists and their paintings with the title Interesting Art Stories.

The 50th story is The Storm on the Sea of Galilee by Rembrandt van Rijn.


Rembrandt van Rijn














The Storm on the Sea of Galilee” is a 1633 oil painting on canvas by Rembrandt van Rijn, the Dutch Golden Age painter. It was in the Isabella Stewart Gardner Museum in Boston, but stolen in 1990 and remains missing. 


Isabella Stewart Gardner Museum












The painting depicts the biblical story of Jesus calming the storm on the Sea of Galilee as described in the fourth chapter of the Gospel of Mark and is also Rembrandt's only seascape painting.


Sea of Galilee, Israel










Painted in vertical format, the painting shows a close-up view of Christ's disciples struggling against the violent storm to control their fishing boat again. In the painting, a huge wave beats the bow and tears the sail, and one of the disciples vomits into the sea. Another one who looks directly at the viewer is a self-portrait of Rembrandt himself, and only Christ depicted on the right seems calm.

The close-up treatment of the subject and the overall composition shown in this painting traces back to the print made by Adriaen Collaert after designed by the Flemish artist Maerten de Vos.

That print depicting the storm on the sea of Galilei was the eighth work of the 12-part "Vita, passio et Resurrectio Iesu Christ" published by Jan and Raphael Sadeler in Antwerp in 1583.


The storm on the sea of Galilei, print by
Adriaen Collaert after design by
Maerten de Vos
















Rembrandt's painting follows the portrait format in his composition and also depicts the tilted boat. Like in the print, most of the space in this painting is occupied by the disciples on the boat struggling against the storm.

The painting was stolen on the morning of March 18, 1990 by two thieves disguised as police officers and broke into the museum, which is considered the biggest art theft in U.S. history and remains unsolved to this day.

On March 18, 2013, the FBI announced that they had identified a suspect in the case, but no public conclusions were made.

The painting has been cited in many fields of popular culture.

The painting was used on the cover of the 1996 book “Against the Gods: The Remarkable Story of Risk” by Peter L. Bernstein.


Against the Gods: The Remarkable Story of
Risk, Peter L. Bernstein


















The painting was used as the cover for “The Struggle (2012)”, the third studio album by Tenth Avenue North.


The Struggle, Tenth Avenue North (2012)













The painting and its theft are referred to in the 2013 film “Trance”.


Trance (2013)

















The painting appears in the fictional town of Lost in Sarah Beth Durst's 2014 novel “The Lost.”


The Lost, Sarah Beth Durst (2014)
















The theft of the painting was discussed in the 2021 Netflix show "This is a Robbery: The World's Biggest Art Heist."


This Is a Robbery The World's Biggest Art Heist

















Thank you.


Amazon Author Page

Lecture Program List

YouTube

Korean Blog

Naver TV

Kakao TV

Naver Post





Monday, April 12, 2021

Interesting Art Stories: 49. The Death of Marat, Jacques-Louis David, ACJ Art Academy


















 

How are you?

Currently, I am introducing the stories about various artists and their paintings with the title Interesting Art Stories.

The 49th story is The Death of Marat by Jacques-Louis David.


Jacques-Louis David















The Death of Marat” is one of the most famous paintings related to the French Revolution, painted by Jacques-Louis David in 1793.

It shows Jean-Paul Marat, the radical journalist, murdered by Charlotte Corday on 13 July 1793, lying dead in his bath.


Jean-Paul Marat













The painting is now displayed in the Royal Museum of Fine Arts of Belgium, and at the Louvre there is a replica created in David's studio.


Royal Museums of Fine Arts of Belgium












Jean-Paul Marat (24 May 1743-13 July 1793) was one of the leaders of the "Montagnards", the radical faction in French politics during the “Reign of Terror” until the “Thermidorian Reaction”

Charlotte Corday was a Girondin, Marat’s political enemy who blamed him for the “September Massacre”


Charlotte Corday













She entered Marat’s house and stabbed him, who often worked in his bath, spending much of his time due to a skin problem, and then she was executed for the murder.


Charlotte Corday, Paul Jacques Aimé
Baudry (1860)
















David, the leading French painter of his generation, was a member of Montagnard, and Jacobin, aligned with Marat and Maximilien Robespierre.


Maximilien Robespierre















In this painting, which focuses on the victim, Marat, David idealized his appearance, unlike the real Marat, who suffers from skin problems, with clean and unblemished skin.

This painting has often been compared to Michelangelo's “Pietà”, whose major similarity is the elongated arm, hanging down. 


Pietà, Michelangelo (1498–1499)











David also admired Caravaggio's works, especially the "Entombment of Christ," influencing this painting.


The Entombment of Christ, Caravaggio
(1603–1604)

















Widely admired during the Reign of Terror, this painting was slowly forgotten after Robespierre was executed. 


The execution of Robespierre on 28 July 1794










At David's request, the painting was returned to him in 1795, and he was prosecuted for his involvement in Reign of Terror. Then, the painting was forgotten in people's memory and rediscovered by critics in the mid-19th century

In the 20th century Picasso and Munch created their own version of this painting.


Death of Marat, Edvard Munch (1907)











This painting inspired many areas in popular culture.


In 1897, French director Georges Hatot made a silent film entitled “La Mort de Marat.”


Movie "La Mort de Marat", Georges Hatot (1897)









The cover of the 1980 album “East” by Australian pub rock band Cold Chisel was inspired by this painting.


Album "East", Cold Chisel (1980)













In the 2002 movie “About Schmidt,” Jack Nicholson's character Warren falls asleep in the bath while writing a letter, reproducing this painting.


Movie "About Schmidt" (2002)











In 2013, Marat in this painting was replaced by Lady Gaga for ARTPOP.


Lady Gaga as Marat















Thank you.


Amazon Author Page

Lecture Program List

YouTube

Korean Blog

Naver TV

Kakao TV

Naver Post




After the Film Ends, What Remains? — “After the Last Summer”

What remains after a film ends? For some people, it may be a particular scene. For others, a line of dialogue, a character, or simply a fe...