Showing posts with label Museo de Arte de Sao Paulo. Show all posts
Showing posts with label Museo de Arte de Sao Paulo. Show all posts

Thursday, November 4, 2021

The Works by Amedeo Modigliani: 100. Self-Portrait (1919)
























 

How are you?

Modigliani Institute Korea (MIK) is currently introducing artworks of Amedeo Modigliani.

The 100th work to introduce for this week is “Self-Portrait” in 1919.

This work is an oil painting on canvas with the size of 100 x 64 cm and possessed by The Museo de Arte de Sao Paulo in Sao Paulo, Brazil.


Museo de Arte de Sao Paulo, Sao Paulo, Brazil












This painting is a self-portrait painted by Modigliani in 1919, actually the last year of his life. It is also the only oil self-portrait by Modigliani known, except for "Pierrot." 


Pierrot (1915)


















He was a friend of artists who often painted people around them, such as Soutine and Kisling, but portraits of Modigliani by his friends are almost none. 

There are many photos of Modigliani showing his sophisticated poses, but the reason why there are very few portraits of him by painters may be that, unlike photographs, in the case of portraits that the painter's interpretation is largely reflected, even if the painter who drew him is his friend, he perhaps felt a sort of fear of how to interpret him. 

Also, Modigliani, who devoted his life to portraiture, was extremely reluctant to paint himself. In this painting, the thick scarf around Modigliani's neck suggests the artist's poverty and miserable life, even without firewood to withstand the harsh cold of winter. His pathetic gaze towards the viewer with an emaciated face resembles the death mask by his devoted friend Lipchitz made after his death.


Death Mask of Modigliani













Today, I am going to end the introduction of Modigliani's paintings that I have been with you for over two years


From next week, I am going to start a new program “Modigliani in Worldwide Museums”, introducing worldwide art museums that have Modigliani's paintings and Modigliani's paintings owned by the museums.


I would like to express my sincere thanks to all of you who have been reading my postings with a lot of interest.


Thank you.


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Monday, December 14, 2020

The Works by Amedeo Modigliani: 76. Madame Georges van Muyden (1917)





















 

How are you?

Modigliani Institute Korea (MIK) is currently introducing artworks of Amedeo Modigliani one by one every week.

The 76th work to introduce for this week is “Madame Georges van Muyden” in 1917.

This work is an expressionist style portrait and an oil painting on a canvas with the size of 92 x 65 cm, and held at Museo de Arte de Sao Paulo (MASP) in Sao Paulo, Brazil.


Museo de Arte de Sao Paulo











This work is a portrait commissioned by the Swiss painter Henri Van Muyden.

It is one of the few portraits that Modigliani painted a woman in an evening dressBesides this work, the other portraits of a woman in an evening dress by Modigliani are as follows.


Redheaded Girl, Amedeo Modigliani


















Redheaded Girl in Evening Dress, Amedeo
Modigliani

















The model in this work gives an intuition that she is a lady with high social status at the moment a viewer sees the work. The appearance of the woman who evokes gentleness and dignity stands out more by her slightly gloomy gaze, and her appearance stands out against the gray backgroundIn addition, the crescent-like woman's eyebrows and her double eyelids, which are difficult to see in Modigliani's other works, make her appearance more beautiful.

The woman's face tilted to the left based on the viewer's side is in balance with the woman's nose tilted to the right, and the angle of the tilted face is almost similar to that of the woman’s right arm. In addition, based on the woman's waist, emphasized by the belt, the woman's upper and lower bodies are shaped like a sandglass or two cones attached to each other.


Image of the painting at the Venice Biennale (1930)









The model’s eyes having almost similar color of the background express pupils by drawing outlines instead of drawing them separately, which was Modigliani's expression style of drawing pupils, as in other works at the time, and the woman's nose has sculptural feeling.

The woman's skin is slightly reddish, but such reddish color even make the viewer feel the paleness of the aristocratic atmosphere, and the deep neckline and round shoulders make the woman feel noble.


The painting framed at MASP (2015)














Along with this, the elegant woman’s dress, together with the belt and bracelet, further enhances her elegance.


Thank you.


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