Thursday, November 11, 2021

Interesting Art Stories: 64. The Portrait of Irène Cahen d’Anvers, Pierre-Auguste Renoir, ACJ Art Academy


















How are you?

Currently, I am introducing the stories about various artists and their paintings with the title “Interesting Art Stories”.

The 64th story is “The Portrait of Irène Cahen d’Anvers” by Pierre-Auguste Renoir.


Self-portrait, Pierre-Auguste Renoir (1875)














The “Portrait of Irène Cahen d’Anvers” is an oil painting by the French Impressionist artist Pierre-Auguste Renoir.

Commissioned by the wealthy French Jewish banker, Louis Cahen d'Anvers in 1880, the painting depicts his 8-year-old daughter, Irène Cahen d'Anvers.


Louis Cahen d'Anvers, Léon Bonnat (1901)













Renoir, who frequently painted portraits for the families of the Jewish community living in Paris in the 1870s and 80s, met Louis Cahen d'Anvers through the art collector Charles Ephrussi, the owner of the Gazette des Beaux-Arts.


Charles Ephrussi, Jean Patricot (1905)













Louis commissioned Renoir for two portraits of his three daughters, one of which depicts the eldest daughter Irène, and the other depicts her sisters Alice and Elizabeth, which is now known as “Pink and Blue.”


Pink and Blue, Pierre-Auguste Renoir
(1881)


















Today, the painting is considered as one of Renoir's masterpieces, but at the time, Louis was so dissatisfied with the painting that he hung the painting in the servants' quarters and even delayed paying Renoir for the painting.

In 1883, the painting was exhibited for the first time in Renoir's first solo exhibition at Paul Durand-Ruel's Boulevard des Capucines gallery, and was purchased in 1910 by the Camondo family, which Irène had married into.


Portrait of Paul Durand-Ruel, Pierre-Auguste
Renoir (c. 1910)














The model for the painting, Irène Cahen d’Anvers, was 8 years old when it was painted.

The eldest daughter of Count Louis Cahen d'Anvers, she married Count Moïse de Camondo in 1891. However, the two fell apart in 1897 due to her affair with Count Charles Sampieri, Camondo's stable master, to which Irène would later marry and divorce. Irène and Camondo had two children, Nissim and Béatrice. Nissim became a fighter pilot of the French Air Force during World War I and was killed in action over Lorraine in 1917. 


Moïse de Camondo















Nissim and his sister Béatrice de Camondo
(1916)
















In 1935, Camondo bequeathed his Parisian mansion, including his major collection of art, to the Musée des Arts Décoratifs in Paris to be used to establish the Musée Nissim de Camondo in honor of him and Irène's son. Because of their Jewish descent, Béatrice, along with her ex-husband and two children, was executed in Auschwitz by the Nazis during World War II. In 1963, Irène died in Paris at the age of 91.


Grand Salon, Musée Nissim de Camondo











After the fall of France, the painting was looted from Château de Chambord by the Nazis and became the private collection of Hermann Göring, along with many other important pieces of European art, and then the collection of German art dealer Gustav Rochlitz. Re-appearing in 1946, the painting was exhibited in Paris as one of the "French masterpieces found in Germany."


Hermann Göring
















Later, the painting was acquired by Emil Georg Bührle, a Swiss industrialist, German-born art collector, and CEO of the OC Oerlikon, a wartime supplier of the German military, along with dozens of other artworks stolen by the Nazis. Currently, the painting is owned by the E.G. Bührle Collection in Zürich.


Emil Georg Bührle














In 2014, the painting appeared in the movie "The Monuments Men" as one of the works of art saved by the Monuments, Fine Arts, and Archives program. In 2018, as part of a series of Impressionist artworks on loan from the E.G. Bührle Collection, it was exhibited in the National Art Center in Tokyo and gained popularity in Japan.


The National Art Center, Tokyo
















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Thursday, November 4, 2021

The Stories about Art Films: 48. National Gallery (2014), ACJ Movie Academy






















Basic Info











Title: National Gallery

Genre: Documentary

Country: France, United States, United Kingdom

Language: English

Running time: 173 minutes

Release date: 2014


Staff











Director: Frederick Wiseman

Produced by: Pierre-Olivier Bardet, Frederick Wiseman

Screenplay: Frederick Wiseman

Cinematography: John Davey

Edited by: Frederick Wiseman


Summary












“National Gallery” is a documentary film made by Frederick Wiseman that introduces the National Gallery in London, one of the most comprehensive and most visited picture galleries in the world. The film was nominated for the César in the category Best Documentary in 2015.


The main entrance of the National Gallery from Trafalgar
Square













Movie Review










“Wonderful”

“This is oddly compelling”

“Necessary and Compelling”

“Brilliant dissection of a Museum”

“Another great Wiseman film”

“Beautiful, fascinating”


Collection (Part)















Thank you.


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The Works by Amedeo Modigliani: 100. Self-Portrait (1919)
























 

How are you?

Modigliani Institute Korea (MIK) is currently introducing artworks of Amedeo Modigliani.

The 100th work to introduce for this week is “Self-Portrait” in 1919.

This work is an oil painting on canvas with the size of 100 x 64 cm and possessed by The Museo de Arte de Sao Paulo in Sao Paulo, Brazil.


Museo de Arte de Sao Paulo, Sao Paulo, Brazil












This painting is a self-portrait painted by Modigliani in 1919, actually the last year of his life. It is also the only oil self-portrait by Modigliani known, except for "Pierrot." 


Pierrot (1915)


















He was a friend of artists who often painted people around them, such as Soutine and Kisling, but portraits of Modigliani by his friends are almost none. 

There are many photos of Modigliani showing his sophisticated poses, but the reason why there are very few portraits of him by painters may be that, unlike photographs, in the case of portraits that the painter's interpretation is largely reflected, even if the painter who drew him is his friend, he perhaps felt a sort of fear of how to interpret him. 

Also, Modigliani, who devoted his life to portraiture, was extremely reluctant to paint himself. In this painting, the thick scarf around Modigliani's neck suggests the artist's poverty and miserable life, even without firewood to withstand the harsh cold of winter. His pathetic gaze towards the viewer with an emaciated face resembles the death mask by his devoted friend Lipchitz made after his death.


Death Mask of Modigliani













Today, I am going to end the introduction of Modigliani's paintings that I have been with you for over two years


From next week, I am going to start a new program “Modigliani in Worldwide Museums”, introducing worldwide art museums that have Modigliani's paintings and Modigliani's paintings owned by the museums.


I would like to express my sincere thanks to all of you who have been reading my postings with a lot of interest.


Thank you.


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“Midnight Bebop Affair” | Classic 1940s Bebop Jazz Instrumental with Trumpet and Saxophone

Discover “Midnight Bebop Affair,” an energetic classic 1940s Bebop Jazz instrumental featuring virtuosic trumpet and saxophone solos, soph...