Tuesday, August 11, 2020

COMPOSER OF THE WEEK: 23. Béla Bartók


Born: March 25, 1881; Nagyszentmiklós, Kingdom of Hungary (presently Sânnicolau Mare, Romania)
Died: September 26, 1945; New York, New York, The United States of America
Nationality: Hungarian
Occupation: Composer, Pianist, Ethnomusicologist

Béla Bartók is a Hungarian composer, pianist and ethnomusicologist, born on March 25, 1881 and died on September 26, 1945. He is considered one of the most important composers of the 20th century, and he and Franz Liszt are regarded as Hungary's greatest composers. Bartók, who collected folk music and conducted analytical study of them, was one of the founders of comparative musicology, which later became ethnomusicology.

Béla Bartók (1927)

Bartók was born in Banat of Nagyszentmiklós in the Kingdom of Hungary (presently Sânnicolau Mare, Romania). He showed remarkable musical talent from a very early age, and according to his mother, Bartók was able to distinguish between different dance rhythms she played on the piano before learning to speak in complete sentences. 

At the age of four, he was able to play 40 pieces on the piano, and his mother began to teach him the piano formally the following year. Bartók was well-received for his first public recital in Nagyszőlős at the age of 11, and shortly thereafter, László Erkel accepted him as a pupil.

Bartók's signature on high school graduation photograph (9 September 1899)

From 1899 to 1903, Bartók studied piano under István Thomán, a former student of Franz Liszt, and composition under János Koessler at the Royal Academy of Music in Budapest. There he met Zoltán Kodály, who made a strong impression on him and became a lifelong friend and colleague. 

In 1903, Bartók wrote his first major orchestral work, "Kossuth", a symphonic poem honoring Lajos Kossuth, the hero of the Hungarian Revolution of 1848. The music of Richard Strauss, which he heard at the Budapest premiere of "Also sprach Zarathustra" in 1902, had a great influence on his early works. 

When visiting a holiday resort in the summer of 1904, Bartók happened to hear folk songs sung by a young nanny, Lidi Dósa from Kibéd in Transylvania to the children in her care, and it sparked his lifelong dedication to folk music. From 1907, Bartók began to be influenced by the compositions of the French composer Claude Debussy, which brought by Kodály from Paris. 

Béla Bartók using a phonograph to record Slovak folk songs sung by peasants in Zobordarázs

Although his large-scale orchestral works still adhered to the style of Johannes Brahms and Richard Strauss, he wrote many small piano pieces which showed his growing interest in folk music. The first work that clearly demonstrates his new interest is the “String Quartet No. 1 in A minor (1908)”, containing folk-like elements. In 1908, he and Kodály traveled the countryside to collect and study old Hungarian folk melodies, and the two began to incorporate elements of Hungarian folk music into their works.

In 1940, as the political situation in Europe worsened after the outbreak of World War II, Bartók was increasingly tempted to flee Hungary, and finally, via a steamer from Lisbon, he arrived in the United States with his wife on October 29, 1940, and settled in New York City.

Béla Bartók's portrait on 1,000 Hungarian forint banknote

Although he became an American citizen in 1945, just before his death, Bartók could not feel at home in the United States. He was well known in the United States as a pianist, ethnomusicologist and teacher, but he was not well known as a composer, and during his final years there was little American interest in his music.

His first sign of health problem began in the late 1940, when his right shoulder began to show signs of stiffening, and he was finally diagnosed with leukemia in April 1944.
Though his body slowly failed, Bartók showed more passion for the creation of compositions than ever before, and partly with the help of the violinist Joseph Szigeti and the conductor Fritz Reiner, he composed his final masterpieces. 

Béla Bartók memorial plaque, Baja, Hungary

Bartók tried to quit composing as the "String Quartet No. 6", but for Serge Koussevitzky's commission, he composed the “Concerto for Orchestra.” The Boston Symphony Orchestra, conducted by Koussevitzky premiered the work in December 1944 and received very positive reviews, and the “Concerto for Orchestra” soon became Bartók's most popular work.

Statue of Bartók, Makó, Hungary

Also in 1944, he composed the "Sonata for Solo Violin" commissioned by violinist Yehudi Menuhin. In 1945, Bartók composed “Piano Concerto No. 3” as a surprise birthday present for his wife Ditta's 42nd birthday, but he died a month before her birthday, and the work remained unfinished.

Bartók died on September 26, 1945 at the age of 64 from complications of leukemia in a hospital in New York City. His body was initially buried in Ferncliff Cemetery in New York and then moved to Budapest at the request of the Hungarian government, along with his two sons in the late 1980s.

Thank you.

Walk of Fame, Vienna



No comments:

Post a Comment

75th Live Broadcast of “Pops Lounge” in TBN Ulsan Traffic Broadcasting Network (November 7, 2023)

  How are you? I had 75th live broadcast of “Pops Lounge” today in TBN Ulsan Traffic Broadcasting Network ’s “Studio1041” .  Today&#...