Sunday, August 30, 2020

The Works by Amedeo Modigliani: 61. Portrait of Max Jacob (1916)


How are you?

Modigliani Institute Korea (MIK) is currently introducing artworks of Amedeo Modigliani one by one every week.

The 61st work to introduce for this week is Portrait of Max Jacob in 1916.

This work is an expressionist style portrait and an oil painting on a canvas with the size of 92.7 x 60.3 cm, and possessed by Cincinnati Art Museum in Cincinnati, Ohio, USA.

Cincinnati Art Museum

Max Jacob was a French poet, painter, writer and critic who was born on July 12, 1876 and died on March 5, 1944.

Max Jacob

Jacob was born from a family of a poor Jewish tailor in Quimper, Brittany. However, despite his poverty, he was very interested in costumes, and his preferences for the costumes can be guessed from his appearances in this work as well as another painting wearing a hat that Modigliani painted him.

Max Jacob, Modigliani (1916)

He was one of the first friends whom Pablo Picasso met in Paris. The two met in the summer of 1901, and Jacob helped Picasso learn French. Jacob also became close friends with Modigliani, and Modigliani painted his portrait in 1916.

Amedeo Modigliani, Max Jacob, Andre Salmon and Ortiz de Zarate taken by Jean Cocteau in Montparnasse, Paris (1916)

In May 1936, Jacob, who moved outside of Paris and settled in Saint-Benoît-sur-Loire, Loiret, was arrested by the Gestapo on February 24, 1944 and imprisoned at Orléans prisonJacob, who was imprisoned at Orléans prison, was then transferred to Drancy internment camp and then supposed to be transferred to AuschwitzHowever, Max Jacob, who was suffering from bronchial pneumonia, died on March 5 in the infirmary of La Cité de la Muette, a former housing block which served as the internment camp known as Drancy.

Max Jacob, shown in this painting, is characterized by his complex appearance, such as a few white hair, eyes with no pupils through which the wall can be seen, curved eyebrows, a hooked nose, almost invisible lips, angled chin and cheekbones. 

It seems that Modigliani has well captured and expressed his diverse and complex characters in this painting, such as gentleness, kindness, cruelty and lust that his friends described him.

In general, Modigliani drew eyes without pupils when it was difficult to express the personality or character of his model, so it seems that Jacob's eyes without pupils was due to the difficulty for expressing his diverse and complex personality.

Thank you.


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