Showing posts with label Caravaggio. Show all posts
Showing posts with label Caravaggio. Show all posts

Friday, November 4, 2022

Interesting Art Stories: 80. Young Sick Bacchus, Caravaggio




















 

How are you?

Currently, I am introducing the stories about various artists and their paintings with the title “Interesting Art Stories”.

The 80th story is the “Young Sick Bacchus” by Caravaggio.

The “Young Sick Bacchus” is an early self-portrait by the Baroque artist Caravaggio, painted between 1593 and 1594, which is now in the collection of the Galleria Borghese in Rome. According to Giovanni Baglione, Caravaggio's first biographer, it was a cabinet piece by the artist using a mirror.


Portrait of Caravaggio, Ottavio Leoni
(c. 1621)















Galleria Borghese











Caravaggio created this painting after arriving in Rome from his hometown of Milan in mid-1592. According to a 2009 article in the American medical publication "Clinical Infectious Diseases", since the figure shows jaundice in his skin and the eyes, which are indications of some active hepatic disease that causes high levels of bilirubin, the artist’s physical disease likely involved malaria. The “Young Sick Bacchus” was one of the collections of Giuseppe Cesari, one of Caravaggio's early employers, and in 1607, the art collector Cardinal Scipione Borghese acquired the painting, together with the artist’s “Boy peeling fruit” and “Boy with a basket of fruit.”


Boy Peeling Fruit, Caravaggio (c. 1592
–1593)















Boy with a Basket of Fruit, Caravaggio
(c.1593)












It is also likely that this painting was used by Caravaggio to promote himself, demonstrating his virtuosity in painting genres such as still life and portraits and alluding to his ability to paint classical figures of antiquity, but what stands out in the painting is the grimace, tilt of the head, and a realistic expression of the pain the artist felt.

The still life in the painting can be compared with that included in slightly later works such as the “Boy with a basket of fruit” and the “Boy bitten by a lizard”, where the fruits are in a much better condition, reflecting the artist’s improved physical and mental condition.


Boy Bitten by a Lizard, Caravaggio (1593
–1594)














The painting also shows the influence of his teacher Simone Peterzano, in the utilization of the tensed musculature depiction, and of the Lombard school style in its attention to realistic details.

Cindy Sherman, the American artist, created a self-portrait titled “Untitled # 224”, a parody of the “Young Sick Bacchus,” as part of her “History Portrait” series.


Untitled #224, Cindy Sherman, MoMA
(1990)




















Thank you.


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Monday, August 2, 2021

Interesting Art Stories: 57. The Cardsharps, Caravaggio, ACJ Art Academy














 

How are you?

Currently, I am introducing the stories about various artists and their paintings with the title “Interesting Art Stories”.

The 57th story is “The Cardsharps” by Caravaggio.

“The Cardsharps” is a painting by the Italian Baroque artist Michelangelo Merisi da Caravaggio around 1594. 


Portrait of Caravaggio, Ottavio Leoni
(c. 1621)
















It is believed that he painted more than one version of this painting, but the work in the Kimbell Art Museum is generally accepted as the original.


Kimbell Art Museum












Caravaggio painted the painting while he was trying to pursue his own independent career, after leaving the workshop of the Cavaliere Giuseppe Cesari d'Arpino, for whom he had been painting flowers and fruit.


Portrait engraving of Giuseppe Cesari,
Ottavio Leoni (1621)















After leaving Cesari’s workshop in January 1594, he began selling his works through the art dealer Costantino, with the help of Mannerist painter Prospero Orsi. Orsi also introduced Caravaggio to his extensive network of art collectors and patrons.

The painting shows a boy dressed in expensive clothes but looking unworldly playing cards with another boy. The second boy, a cardsharp, is hiding his extra cards in his belt behind his back and has a dagger around his waist. A man, older than the two boys, is peering over the innocent boy's cards and signaling to his accomplice, the second boy.

The painting was the second such painting by Caravaggio. The first painting, “The Fortune Teller,” drew public attention, and the second painting, “The Cardsharps,” contributed to expanding his reputation. Combining realism for depicting the lives of the miserable lower classes with luminous Venetian delicacy, the painting has received much acclaim.


The Fortune Teller, first version, Caravaggio, Musei
Capitolini, Rome (c.1594)













The Fortune Teller, second version, Caravaggio,
Louvre, Paris (c. 1595)













Caravaggio came to the attention of Cardinal Francesco Del Monte, a famous art collector who purchased the painting and became his first important patron. 


Portrait of Cardinal Francesco Maria del
Monte, Ottavio Leoni















He provided Caravaggio with lodging in his Palazzo Madama, behind the Piazza Navona, now one of the principal squares in Rome. 


Palazzo Madama











Then, the painting became the collection of Cardinal Antonio Barberini, nephew of the Pope Urban VIII (the figure in Caravaggio's "Portrait of Maffeo Barberini" in 1598). It disappeared in the 1890s and was rediscovered in a private collection in Zürich in 1987, and subsequently became the collection of the Kimbell Art Museum in Fort Worth, Texas.


Antonio Barberini, Simone Cantarini (1630)
















Portrait of Maffeo Barberini, Caravaggio
(c. 1598)
















The British art historian Denis Mahon bought a copy of the painting at an auction in 2006. Although Sotheby's sold the painting as a copy painted by an artist other than Caravaggio, Mahon claimed the painting was a replica by Caravaggio. 

His claim is persuasive in that Caravaggio painted more than one version in his other paintings, including “Boy Bitten by a Lizard”, “The Fortune Teller”, and “The Lute Player”.


Boy Bitten by a Lizard, Caravaggio,
Fondazione Roberto Longhi, Florence
(1593–1594)















Boy Bitten by a Lizard, Caravaggio, National
Gallery, London (1594–1596)















The Lute Player, Caravaggio, Wildenstein Collection (c. 1596)












The Lute Player, Caravaggio, Hermitage Museum,
Saint Petersburg (c.1600)













Apollo the Lute Player, Caravaggio, Ex-Badminton
House, Gloucestershire (c.1596)













Thank you.


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Thursday, August 6, 2020

The Stories about Art Films: 16. Caravaggio (2007), ACJ Movie Academy


Basic Info

Title: Caravaggio
Genre: Drama
Country: Italy
Language: Italian
Running time: 180 minutes
Release date: 2007

Staff

Director: Angelo Longoni
Produced by: Ida Di Benedetto
Screenplay: James Carrington, Andrea Purgatori
Music: Luis Bacalov
Cinematography: Vittorio Storaro
Editor: Mauro Bonanni

Cast

Alessio Boni as Caravaggio
Elena Sofia Ricci as Costanza Colonna
Jordi Mollà as Francesco Maria del Monte
Claire Keim as Fillide Melandroni
Paolo Briguglia as Mario Minniti
Benjamin Sadler as Onorio Longhi
Sarah Felberbaum as Lena
Maurizio Donadoni as Ranuccio Tomassoni

Summary


“Caravaggio” is a 2007 Italian television movie directed by Angelo Longoni. This film is based on the real life of the Baroque painter Michelangelo Merisi da Caravaggio. 


Caravaggio was an Italian painter, born on September 29, 1571 and died on July 18, 1610, who was active for most of his artistic life in Rome. In his work, Caravaggio combined the realistic observation of the physical and emotional state of human, with a dramatic use of light which influenced on Baroque painting.


Caravaggio's works, which had been long forgotten after his death, aroused interest again in the 20th century, and his importance to the development of Western art was reevaluated.

Movie Review


“Conventional but lushly detailed bio-pic”
“Excellent film about a truly great painter”

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