Thursday, June 25, 2020

Interesting Art Stories: 17. The Garden of Earthly Delights, Hieronymus Bosch, ACJ Art Academy


How are you?

On every Thursday, I am introducing the stories about various artists and their paintings with the title “Interesting Art Stories”.

The 17th story for this week is "The Garden of Earthly Delights" by the Early Netherlandish painter Hieronymus Bosch.

The Garden of Earthly Delights” is a triptych oil painting on oak panel painted by the Early Netherlandish master Hieronymus Bosch between 1490 and 1510. Bosch was a Netherlandish painter from Brabant, born around 1450 and died on August 9, 1516. 

Hieronymus Bosch

There are some records, but little is known about Bosch's life. Bosch, along with his most famous follower, Pieter Bruegel the Elder, had a great influence on the art of the 16th century in northern Europe. Today he is regarded as a painter with outstanding insights into humanity's desires and fears.

Including this work, Bosch painted three large triptychs (the other two works are “The Last Judgment” of c. 1482 and “The Haywain Triptych” of c. 1516) that can be viewed from left to right and each panel is essential to the meaning of the whole painting. 

The Last Judgment (c. 1482)

The Haywain Triptych (c. 1516)

It is not known whether this work was painted as an altarpiece, but the general view is that the extreme themes in the center and right panels are not suitable for use in a church or monastery.

The outer panels, which can be seen by closing the left and right panels, depict the Bible's “creation of the world” using green–gray grisaille.

The outer panels

The left panel depicts the scene of the Garden of Eden, where God presents Eve to Adam.

Left panel

The central panel shows a secular pleasure garden full of naked men and women along with a variety of animals, plants and fruits.

Central panel

The right panel shows Hell as a result of human beings not following God's will. The tone of this panel, set at night, is very intense unlike the previous ones, showing an image that has changed from a paradise in the center panel to a scene of cruel torture and retribution. 
Unlike previous paintings, Bosch was innovative in that he described hell not as an imaginary place, but as a real world that contains many elements found in everyday human life.

Right panel

Since very little is known about the intention of the painting as well as Bosch's life, the interpretation of this work is very diverse. Bosch's work is full of complex and abstract images, thus new things related to the painting continue to be discovered even today over 500 years after it was painted. This painting has been held by the Museo del Prado in Madrid since 1939.

Prado Museum

Thank you.



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