Wednesday, December 30, 2020

Interesting Art Stories: 42. Liberty Leading the People, Eugène Delacroix, ACJ Art Academy


 















How are you?

On every Thursday, I am introducing the stories about various artists and their paintings with the title Interesting Art Stories.

The 42nd story for this week is Liberty Leading the People by Eugène Delacroix.


Self-portrait, Eugene Delacroix














Liberty Leading the People” is a painting by Eugène Delacroix commemorating the July Revolution of 1830 that overthrew King Charles X of France. 


King Charles X of France
















A woman of the people with a Phrygian cap personifying Liberty is leading a varied group of people forwarding over a barricade and fallen bodies, holding the flag of the French Revolution, the tricolour that becomes France's national flag after the revolution in one hand, and brandishing a bayonetted musket in other hand.


Tricolour, Flag of France












Delacroix portrayed Liberty as both an allegorical goddess and a robust woman of the people. In the painting, the mound of corpses and wreckage serves as her pedestal, and the Phrygian cap she wears was used to symbolize liberty during the first French Revolution in 1789.


Prisoner with Phrygian cap
















The fighters are a mixture of people from various social classes, from the bourgeoisie represented by the young man in a top hat, a student from the prestigious École Polytechnique wearing the traditional bicorne, to the revolutionary urban worker, exemplified by the boy with pistols. 


Winston Churchill in a frock coat with grey
top hat
























Early bicorne (c.1790)













In addition to the flag held by Liberty, another small tricolour can be seen in the distance flying from the towers of Notre Dame.


Notre-Dame de Paris










There have been many discussions about the identity of the man wearing the top hat, and one of the claims that it was Delacroix himself has been excluded by modern art historians. Other claims have been made as the theatre director Étienne Arago and the future curator of the Louvre, Frédéric Villot, but to date no firm consensus has been made.


Étienne Arago















Frédéric Villot














The French government purchased the painting in 1831 with the plan to display it in the throne room of the Palais du Luxembourg to remind king Louis-Philippe, who gained power through the French Revolution, and then it returned to Delacroix after the June Rebellion of 1832.


Louis Philippe I














Palais du Luxembourg










Subsequently, the painting was exhibited in the Paris Salon of 1855 and was then included in the collection of Palais du Louvre in Paris in 1874.


Palais du Louvre










The painting was the featured work in an exhibition titled “French Painting 1774–1830: The Age of Revolution” organized by the French government, the Metropolitan Museum of Art in New York and the Detroit Institute of Arts between 1974 and 1975 to commemorate the Bicentennial anniversary of the founding of the United States.


The Metropolitan Museum of Art












Detroit Institute of Arts











The painting influenced Victor Hugo's 1862 novel "Les Misérables", and the character Gavroche is said to be inspired by the pistols-wielding boy in the painting.


Illustration of Gavroche, Émile Bayard

















The painting inspired "Liberty Enlightening the World", known as the Statue of Liberty in New York City, designed by Frédéric Auguste Bartholdi and was given to the United States from France.


Statue of Liberty






















Frédéric Auguste Bartholdi















The part of the painting with a depiction of Delacroix was featured on the 100 franc note from 1978 to 1995.


100 franc note, Eugene Delacroix









The painting was used for the cover of the 2008 album "Viva la Vida or Death and All His Friends" by the English alternative rock band Coldplay.


Viva la Vida or Death and All His Friends,
Coldplay (2008)












The cover of the book "Enough is Enough: How to Build a New Republic" by Fintan O'Toole, depicting personification of Ireland “Kathleen Ni Houlihan” holding the Irish tricolour, and the leaders of the three main political parties at the time, Brian Cowen, Enda Kenny and Eamon Gilmore lying on the ground, refers to the painting.


Enough is Enough: How to Build a New
Republic, Fintan O'Toole

























Scene From Yeats and Gregory's play, Cathleen Ní Houlihan
(c.1912)

















Thank you.


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Remarks: From January 1 to 10, 2021, I will stop my posting due to personal schedule, and then from January 11, 2021, the current daily postings for a week will be posted every Monday, Wednesday, and Friday over two weeks.


Happy New Year!!!



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